DOMOBAAL – Publications

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holiday periods this time may be extended, all placed orders will advised or confirmed accordingly. The list that follows below gallery editions is arranged alphabetically by artist, and includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' button, nor quoted price together with all sold out items are kept in stock for viewing and may be consulted at the gallery. Should customers be averse to using PayPal, please contact the gallery directly and an alternative arrangement can be made.

DOMOBAAL editions

#50–#63 Reproductions III Du Monde/Of the World Sharon Kivland – 12 Part Subscription Package: Domo Baal and Sharon Kivland are delighted to announce a new subscription series, following the success of Reproductions I in 2012 (with many satisfied customers). The next series is subtitled Du Monde/Of the World, and if you will forgive a perhaps grandiose notion, the artist has been thinking about Maurice Merleau–Ponty's account of vision and visibility (that we are looked at, in the spectacle of the world), and Jacques Lacan's commentary thereon (that the world is not exhibitionistic, it does not provoke our gaze, but when it does, the feeling of strangeness begins). But enough of that!

There will be twelve books in the series, which is limited to an edition of 50, with an additional thirteenth book offered free to early subscribers (Femmes du Monde). Each book, between 16 and 36 pages, draws on the artist's collections of postcards, magazines, cuttings, and other printed ephemera, in another attempt to organise, catalogue, and archive. There is little text, apart from the title and usual colophon material. The books are black and white, printed on an ivory 120gsm Munken paper, stapled with a square spine, each: 19cm by 15cm. Subscribers will receive one book each month.

Laura Gonzalez writes: "I wanted to tell you how much of a satisfied customer of your subscription I am. 'Les amants du monde' is extraordinary, moving, and rather uncanny in the fixity of the images. I cannot help but wonder what happened to them. The book becomes a kind of verb, rather than a noun, if you see what I mean."

At its completion, the series will be neatly and attractively housed in a handsome bespoke slipcase, made by Book Works studio, and potential subscribers should budget for this (we cannot confirm the cost at this point, but we imagine somewhere around £50 – this is offered at cost price). The cost of subscription for the full set of books alone is £125 and this price includes post and packing to the UK and Europe.

Titles may include: Femmes du Monde/Women of the World, Hommes du Monde/Men of the World, Rosièristes du Monde/Rosegrowers of the World, Barmen du Monde/Barmen of the World, Amants du Monde/Lovers of the World, Philosophes du Monde/Philosophers of the World, Arrangements floraux du Monde/Flower arrangements of the World.

A subscription may be activated by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the subscription may also be purchased by contacting the gallery directly *here and an invoice for payment by bank transfer can then be issued.; DOMOBAAL editions – 2013; ISBN 978-1-905957-30-9 (Reproductions III – vol I: Femmes du Monde); ISBN 978-1-905957-32-3 (Reproductions III – vol II: Amants du Monde); ISBN 978-1-905957-33-0 (Reproductions III – vol III: Œufs du Monde)

Sharon Kivland – Le Style Louis XVI: A small catalogue of Louis XVI furniture, which makes a rapport between style and revolution, furniture and its naming, femininity and the neo–classical. The ambience is welcoming, despite its sobriety and a whiff of the Terror. The book is published in a edition of 50 copies at the kind invitation of AM Bruno on the occasion of the 16th International Contemporary Artists' Book Fair, Leeds.; 17×10.5cm, stapled, this sixteen-page book contains six duo–tone photographic plates, tipped–in by hand; DOMOBAAL editions – 2013; ISBN 987-1-905957-31-6

#64 Sharon Kivland – Reproductions II: A publication in two volumes, bound together to accompany Sharon Kivland's eponymous exhibition, by Jan Campbell and Steve Pile. Dr Jan Campbell is a Reader in English Literature and Psychoanalysis in the Department of English at the University of Birmingham. Jan Campbell has also worked clinically for thirteen years as a psychoanalyst, as well as writing widely on psychoanalysis in relation to feminism, queer theory, autobiography, social and cultural theory, literature, and film. Her most recent book is on the telepathic movement of a maternal form, which she argues is the necessary transferential sublimation of the repressed 'Freudian Passions: Psychoanalysis, Form and Literature' published by Karnac in the Spring of 2013. Professor Steve Pile teaches Geography in the Faculty of Social Sciences at The Open University. He has published on issues concerning place and the politics of identity. He is author of 'Real Cities: modernity, space and the phantasmagorias of city life' (2005) and 'The Body and The City: psychoanalysis, subjectivity and space' (1996). His many collaborative projects include the forthcoming collection, 'Psychoanalytic Geographies' (edited with Paul Kingsbury). He is currently working on early Freudian psychoanalysis and geographies of the body.; Edition of 100; DOMOBAAL editions – 2013; ISBN 987-1-905957-29-3

#48 Sharon Kivland – Mes Mouches: A beauty spot is usually a lesion caused by a 'melanocycotic nevus', but at certain times it was considered to be such an attractive feature that it was appiled as makeup or as a 'mouche' in ve;vet or silk; Edition of 100, published at the kind invitation of AM Bruno to their project Black Circle on the occasion of the London Art Book Fair 2012; 14 pages, stapled, 22.5×15.5cm, with 21 b&w photographic illustrations; DOMOBAAL editions – 2011; ISBN 987-1-905979-27-9

#35–#47 Reproductions I Sharon Kivland – 12 Part Subscription Package: Following the surprising success (the artist was surprised anyway), of her book 'La mer est si bleue' Domo Baal and Sharon Kivland launched a book project that was offered on subscription throughout 2012. It may be described as a speciality package and is certainly most attractive. The full set may now be purchased by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the set may also be purchased by contacting the gallery directly *here and an invoice for payment by cheque or bank transfer can then be issued.

Reproductions I consists of a series of twelve books (plus an extra bonus thirteenth book) each in an edition of 100, in a stapled 26×20cm format, with between twelve and twenty–four pages each which draws on Kivland's extensive and particular collection of printed ephemera and postcards, classed thematically according to the whim of the artist (see below). The full set can now be purchased for the modest price of £250. The set now includes an extra bonus book Certains messages de loin and is presented in a handsome specially designed bookcloth slipcase made by hand at Bookworks Studio.

Titles are as follows: Frères et Sœurs, Communiants et Communiantes, Pierrots et Pierrettes, Nus exotiques, Les Chiens des Pyrenées, Les Chalets Suisses, Les Amants Modernes, La Neige sur les montagnes, Les Reflets, Femmes et roses, Les Cascades, Les Fontaines, Messages de lointain.

(Although the titles are in French, as the books are (largely) made of images only, language should be no barrier to comprehension); DOMOBAAL editions – 2012; ISBN 978-1-905957-15-6 (Frères et Sœurs); ISBN 978-1-905957-16-3 (Communiants et Communiantes); ISBN 978-1-905957-17-0 (Pierrots et Pierrettes); ISBN 978-1-905957-18-7 (Nus exotiques); ISBN 978-1-905957-19-4 (Les Chiens des Pyrenées); ISBN 978-1-905957-20-0 (Les Chalets Suisses); ISBN 978-1-905957-21-7 (Les Amants Modernes); ISBN 978-1-905957-22-4 (La Neige sur les montagnes); ISBN 978-1-905957-23-1 (Les Reflets); ISBN 978-1-905957-24-8 (Femmes et roses); ISBN 978-1-905957-25-5 (Les Cascades); ISBN 978-1-905957-26-2 (Les Fontaines); ISBN 978-1-905957-28-6 (Messages de lointain)

#34 Sharon Kivland – La mer est si bleue: 'Hello from Stella beach where I am spending a nice holiday, despite the bad weather. Best wishes, Marie–Claire'; Edition of 100, published at the kind invitation of AM Bruno on the occasion of the London Art Book Fair 2011; 28 pages, stapled, 26×20cm, 12 black and white photographic illustrations; DOMOBAAL editions – 2011; ISBN 987-1-905957-11-8

#33 Rachel Adams – drawnthread: A magazine (B5 and in full colour) hand–sewn binding with soft fabric cover with binding needle anchored in the cover, edition 100, each numbered and signed by the artist, September 2011.; DOMOBAAL editions – 2011; ISBN 978-1-905957-13-2

#32 Ailbhe Ní Bhriain – Great Good Places: A set of four chapbooks, each clothbound soft–cover, 34 video stills, in a signed and numbered edition of 100 +30 AP, each signed and numbered by the artist, published to accompany Ailbhe Ní Bhriain's eponymous solo exhibition.; DOMOBAAL editions – 2011; ISBN 978-1-905957-10-1

#31 Jeffrey TY Lee and Terue Yamauchi – The Builder: A B5 blueprint publication of eight single folded blueprints 50×35cm, stapled; the cover is a single bluprint image, folded in four, unbound and finished with a dust jacket of tracing paper; blueprint plates printed in Japan by Fukuoka Blueprint Co Ltd, edition 100, September 2011, each copy numbered and signed by the artists.; DOMOBAAL editions – 2011; ISBN 978-1-905957-12-5

#30 Lee Edwards – How to disappear completely: A domobaal editions pocket book, unbleached Kraft board front cover, gatefold, A6, 14 folded pages with ten tipped–in colour plates of miniature portraits reproduced life–size, by Lee Edwards on found pieces of wood, text by Iphgenia Baal, published for Lee Edwards eponymous exhibition in May 2011, edition: 100 copies, each signed and numbered by the artist.; DOMOBAAL editions – 2011; ISBN 978-1-905957-08-8

#29 Sharon Kivland – Le rouge baiser: A numbered edition of 100, each with an attractive photograph, on which the artist has more or less carefully painted the lipsticked mouth of the image with watercolours, while considering that while 'le rouge baiser permet le baiser' (the red kiss allows kissing), it also permits caressing, screwing around, adultery and fucking.; Chapbook with 20 folded pages, stapled, 15×10.5cm, 16 black and white photographs; DOMOBAAL editions – 2011; ISBN 978-1-9059957-14-9

#28 Sharon Kivland – Le cri de la soie (Volume II): 'The speech of kleptomaniac women interviewed by Dr Gaëtan de Clérambault in 1902 is entangled with a medical analysis; the resulting text is an insistent and extended cry of fetishism for silk – an erotic passion, tactile and jouissant. V.B. says that the contact with silk is superior to its sight and that while she would like to sleep in silk, it's not her style; that's for women who are seen in bed.'; Edition of 100, 15×11cm, 24 pages, colour cover, b&w, published to accompany Sharon Kivland's 'Le cri de la soie (vol I)'; DOMOBAAL editions – 2011; ISBN 978-1-905957-09-5

#27 Sharon Kivland – Le cri de la soie (Volume I): 'To the cropped and enlarged photograph, extracted from an underwear trade journal of the 1950s, a strip of colour, that of the packaging of the scent 'Allure' by Chanel is added, cropping or extending the image further. Each woman is ecstatic; the touch of silk against her skin is enough to make her faint, to send into an enclosed jouissance, like those kleptomaniac patients of Gaëtan de Clérambault, for whom the squeaky sound of silk as it was rubbed provided the most intense sensation.'; Edition of 100, 15×11cm, 24 pages, 15 duo–tone photographs, published to accompany Sharon Kivland's exhibition 'I am sick of my thoughts'.; DOMOBAAL editions – 2011; ISBN 978-1-905957-08-8

#26 Walter Swennen: Broadsheet newsprint poster published to accompany Walter Swennen's exhibition, printed at Newsfax International; DOMOBAAL editions – 2010

#25 Lara Viana: Pocket Book with an essay by Rebecca Geldard for Lara Viana's solo exhibition in January 2010, includes a signed, editioned print on archival paper of 'Untitled (shift)' by Lara Viana, edition 100.; DOMOBAAL editions – 2010; ISBN 978-1-905957-07-1

#24 Time is a Sausage (A Show of Shows): A bespoke cotton tote produced for the exhibition 'Time is a Sausage (A Show of Shows)' with a sonnet by Iphgenia Baal; DOMOBAAL editions – 2009; edition 150

#23 Felicity Powell: a pocket book with images of 18 wax reliefs, for Felicity Powell's solo exhibition in June 2009.; DOMOBAAL editions – 2009; ISBN 978-1-905957-06-4

#22 Christopher Hanlon – 'Because You Stood Still' by Paul Feigelfeld: a pocket book, published for Christopher Hanlon's first solo exhibition 'Because You Stood Still' in February 2009.; DOMOBAAL editions – 2009; ISBN 978-1-905957-05-7

#21 Letting the World Pass By: The View On The Platform: an extended essay by Karl Baker written for Steve Johnson's exhibition 'Die Welt vorbeiziehen lassen' in November 2008.; DOMOBAAL editions – 2008; ISBN 978-1-905957-04-0

#20 Ron Haselden – In the Asking: an extended essay by Dr Timothy Martin (4 pages A4 with image sheet insert) written for Ron Haselden's second solo exhibition at domobaal and his exhibition at the Camden Arts Centre.; DOMOBAAL editions – 2008; ISBN 978-1-905957-03-3

#19 (traffic scarcely audible): published for the exhibition of film and video, with text by Robert Dennis, Gil Leung and Lucy Pawlak (4 page A4).; DOMOBAAL editions – 2008; sold out

#18 Ailbhe Ní Bhriain – The Trembling Image: an essay written by Jonathan Miles for Ailbhe Ní Bhriain's solo exhibition at domobaal (4 page A4).; DOMOBAAL editions – 2008

#17 Oyster Grit: published for a group exhibition at domobaal in September 2007 with an extended essay by Rebecca Geldard on Ailbhe Ní Bhriain, Daniel Gustav Cramer, Haris Epaminonda, Ansel Krut, Jeffrey TY Lee, Lucy Pawlak, Miho Sato and Mhairi Vari; A4, 8 pages with 6 colour images; DOMOBAAL editions – 2007

#16 Daniel Gustav Cramer: published in association with the Goethe Institut, London; essay by Charles Darwent; A4, 12 pages with 6 colour images from Trilogy; DOMOBAAL editions – 2007

#15 Miho Sato: mini leparello; essay by Rebecca Geldard; 8 colour plates, published for Miho Sato's second solo exhibition at domobaal in March 2007; DOMOBAAL editions – 2007

#14 The Blossoming of Perspective, a study by Penelope Haralambidou: a response to Duchamp's call for the interpretation of 'Etants Donnés: 1.la chute d'eau, 2.le gaz d'éclairage…'; essays by Penelope Haralambidou, T.J. Demos, Jonathan Hill, Lorens Holm, Brigid McCleer; published to accompany the eponymous exhibition at domobaal in january 2007; DOMOBAAL editions – 2007; ISBN 1-905957-01-7/978-1-905957-01-9

#13 Ansel Krut – Hotel Vinegar: Pocket Book for Ansel Krut's solo exhibition 'Hotel Vinegar'; essay by Martin Herbert & story by Miles Johnson; full colour with dust jacket; DOMOBAAL editions – 2006; ISBN 1-905957-00-9/978-1-905957-00-2

#12 Jeffrey TY Lee: broadsheet newsprint poster; DOMOBAAL editions – 2006

#11 Flickers of a Half World – Underwater the new photographs of Daniel Gustav Cramer: published by domobaal editions for Daniel Gustav Cramer's exhibition Underwater, Trilogy, Part 2; by Jonathan Miles; DOMOBAAL editions – 2006; ISBN 0-9544590-7-5

#10 Gesture Between Worlds The Art of Haris Epaminonda: published by domobaal editions for Haris Epaminonda's first solo exhibition; by Jonathan Miles; DOMOBAAL editions – 2006; ISBN 0-9544590-9-1

#09 Sharon Kivland – La Forme–Valeur/The Value–Form: La Forme–Valeur/The Value–Form is a sixteen–page book, following the exhibition of the same title at Galerie de Cloître, Rennes in 2005. The commodity from chapter 3 of Capital by Karl Marx, in both French and English translations, finds a voice as a woman, on a Chanel–pink ground. The edge of the cover is gilded, recalling the packaging of 'Allure'.; DOMOBAAL editions – 2006; ISBN 0-9544590-6-7

#08 Sharon Kivland – Mes Fils: an artists book by Sharon Kivland published on the occasion of her solo exhibition 'Mes Fils' at domobaal gallery in 2005; Designed by Sarah Backhouse; DOMOBAAL editions – 2005; ISBN 0-9544590-5-9

#07 Daniel Gustav Cramer – Woodland: (supported by Kunststiftung NRW); full colour with 17 images; DOMOBAAL editions – 2005; ISBN 0-9544590-4-0

#06 Miho Sato – Amnesia: mini leparello with an essay 'Ruination' by Jonathan Miles; full colour with 8 images, published for Miho Sato's first solo exhibition at domobaal gallery in June 2005; DOMOBAAL editions – 2004

#05 Vapour – the Art of Daniel Gustav Cramer: published for Daniel Gustav Cramer's first solo exhibition: 'Woodland' Part I of Trilogy; by Jonathan Miles; DOMOBAAL editions – 2004; ISBN 0-9544590-8-3

#04 Ansel Krut – It could be suicide …: Full colour tabloid newspaper, with 14 full–page colour images, set and printed by Newsfax International.; DOMOBAAL editions – 2004; ISBN 0-9544590-2-4

#03 Sharon Kivland – flair: published on the occasion of the project of the same title at The Bartlett School of Architecture, University College, London. Twelve phrases run in a continuous line through the book. The phrases are in a pale rose/flesh pink – actually the colour of Chanel's packaging for their scent 'Allure' – and are descriptions of scents taken from the in–flight magazines distributed on airlines. Each has been altered every slightly so rather than describing a scent, they appear to be a woman describing herself – a vain, crazy woman, 'folle de son corps'. The title has two meaning: in English, it means the possession of a certain style or aplomb, while in French, it more usually means the faculty of discerning an odour or an aptitude for intuition or perspicacity.; DOMOBAAL editions – 2004; ISBN 0-9544590-3-2

#02 Ausland: Jan Peters, Martina Schmid, Silke Schatz, with essays by Jane Rendell and Thomas Wulffen supported by Goethe Institut, London; DOMOBAAL editions – 2003; ISBN 0-9544590-1-6

#01 A Reader: Lucy Harrison, Sharon Kivland & Nina Papaconstantinou, published on the occasion of the exhibition 'A Reader' at domobaal gallery in 2003.; A5, soft binding, 18 pages with 6 b&w images.; DOMOBAAL editions – 2003; ISBN 0-9544590-0-8

DOMOBAAL PUBLICATIONS LIST/BY ARTIST/AND OTHER STOCK LISTED ALPHABETICALLY BY FIRST NAME

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. This list is arranged alphabetically by artist, and includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' buttons nor quoted price and all sold out items are kept in stock for viewing at the gallery.

AILBHE NÍ BHRIAIN

Ailbhe Ní Bhriain – Great Good Places: A set of four chapbooks, each with clothbound soft–cover, 34 video stills, in a signed and numbered edition of 100 +30 AP, each signed and numbered by the artist, published to accompany Ailbhe Ní Bhriain's eponymous solo exhibition.; DOMOBAAL editions – 2011; ISBN 978-1-905957-10-1

Darkness Visible: exhibition catalogue, curated and edited by Ann Mulrooney for the Galway Arts Festival 2008; Galway Arts Centre – 2008; ISBN 978-0-955912-61-0

No Borders (Just News) *North, East, West, South: catalogue for the exhibition curated and organised by the International Association of Art Critics (AICA) February 2008; AICA press – 2008; ISBN 2-9506768-6-3/978-2-9506768-6-3

The Trembling Image: An essay written by Jonathan Miles for Ailbhe Ní Bhriain's solo exhibition at domobaal in 2007; DOMOBAAL editions – 2008

ANSEL KRUT

Ansel Krut – Hotel Vinegar: Pocket Book for Ansel Krut's solo exhibition 'Hotel Vinegar'; essay by Martin Herbert & story by Miles Johnson; full colour with dust jacket; DOMOBAAL editions – 2006; ISBN 1905957009/9781905957002

Ansel Krut – It could be suicide …: A tabloid newspaper with 14 full–page colour images, set and printed at Newsfax International.; DOMOBAAL editions – 2004; ISBN 0954459032

Maybe a Duck … Maybe a Rabbit …: Jemima Burrill, Ansel Krut, Walter Swennen; Essay by Peter Suchin; Designed by Sarah Backhouse; The Centre for Drawing, Wimbledon School of Art – 2006; ISBN 0948327235

Just world order: exhibition catalogue; exhibition curated and essay by Peter Bonnell; published by Artsway – 2008; ISBN 9780955840623

Shadows (Transmission: The Rules of Engagement 11): What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester; Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm; Artwords Press – 2007; ISBN 9781906441029

Interviews with artists: Ansel Krut in conversation with Nicholas James, transcript included in a volume of collected artist interviews; Cv/VAR editions – 2010; ISBN 9780456520203

Voo–Doo and the Creative Spirit: Riflemaker – 2009; ISBN 9780955572872

Precious Things: exhibition catalogue; exhibition curated by Graham Crowley; Highlanes Gallery, Drogheda, Ireland – 2008; ISBN 0955431166/9780955431166

Ansel Krut – Ghost of A Flea: Project Space – Notes, essay by Ed Krcma; Designed by Sarah Backhouse; The Drawing Centre, Wimbledon School of Art – 2006; ISBN 9780955664618

1001 Paintings You Must See Before You Die: edited by Stephen Farthing; Cassell Illustrated – 2006; ISBN 9781844035632

Art on Paper 2006: catalogue, text by Xandra Eden; Weatherspoon Art Museum, North Carolina, USA

World Gone Mad – Surrealist Returns in Recent British Art: Catalogue for the exhibition curated by Bob Matthews, essays by JJ Charlesworth, Sally O'Reilly, Dr Johanna Malt; Castlefield Gallery Publications – 2006; ISBN 0952178052

The Drawing Book: A survey of drawing: the primary means of expression; Black Dog Publishing – 2006, hardback; Edited by Tania Kovats; Authors: Charles Darwent, Kate Macfarlane and Katharine Stout; ISBN 1904772331

CHRISTOPHER HANLON

Christopher Hanlon: Because You Stood Still by Paul Feigelfeld: Pocket book, published for Christopher Hanlon's first solo exhibition 'Because You Stood Still' in February 2009.; DOMOBAAL editions – 2009; ISBN 9781905957057

CLAUDIA SARNTHEIN

On Fragments: Artist's book, text, with 1 signed print, soft cover, edition 8, 24×18cm, 2004, London.; In On Fragments Sarnthein assembles an often revelatory series of quotations from European artists, philosophers and poets into an argument around the multi–faceted nature of the fragmentary that moves far beyond purely aesthetic investigation into something of much wider application. The question she asks is how an engaged understanding of the 'incomplete', an accurate incarnation of the passage of life, might help us to survive, endure and thrive. While the form might suggest the aphoristic compendia of fellow continentals Cioran and Canetti, this collage is humanised by its inclusivity and anchored by a richly personal threaded narrative that suggests Sarnthein has learnt such lessons very much at first hand. Gareth Evans, Time Out, London 2005.

Mutter Seelen Allein: Artist's book with 26 drawings, clothbound/hardback A3, presented in a cloth–covered slip–case, edition 6 – 2005.; The sense of the partial, and its complexity, also suffuses the exquisite drawings of Mutter Seelen Allein, a large–format publication of 26 images, very finely executed, and influenced by the likes of Eva Hesse (…). At once anti–realist, deeply felt and emotionally resonant, they are, in the artist's own words, 'in search of a pictorial incident, where something is just appearing or about to disappear: something which is coming into being against the void or leaving a void behind. I am asking how much is necessary to be nascent or to remain'. An urgent question in these difficult times, and one that is profoundly elaborated in Sarnthein's beautiful realised work. Gareth Evans, Time Out, London 2005.

DANIEL GUSTAV CRAMER

Shadows (Transmission: The Rules of Engagement 11): What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester; Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm; Artwords Press – 2007; ISBN 1906441022/9781906441029

Daniel Gustav Cramer: published in association with the Goethe Institut, London; essay by Charles Darwent; A4, 12 pages with 6 colour images from Trilogy; DOMOBAAL editions – 2007

New Light: Jerwood Photography Awards: Hardback catalogue, 140 pages.; Published by Portfolio Magazine, celebrating 5 years of the Jerwood Photography Awards, 2003 – 2008.; ISBN 9780914060840 – 2009

Untitled (Mother): A handmade, clothbound artist's book of blank pages – with the exception of a single line placed towards the centre of the book; dimensions: 12.5×18×1.8cm Letterpress.; Edition 7 – 2003 (signed by the artist)

Garten Eden – Der Garten in der Kunst seit 1900: Hardback catalogue, published by Kunsthalle Emden, Germany. 306 pages, 220 colour images, 6 essays.; Kunsthalle Emden – 2007

Undo Nr.1/2007 Journal: Alexander García Düttmann, Christos Hadjiyannis, Jonathan Miles, Hala Auji, Demetris Taliotis, Haris Epaminonda, Alessandra Swiny, Daniel Gustav Cramer, Haris Pelapaisiotis, Ian Kiaer.; Published by the Undo Foundation, Nicosia, Cyprus, Greece.

Naturalis 1: A3 30 pages, full colour; Commissioned by GF Smith, designed by SEA 2006

Flickers of a Half World: Underwater, the new photographs of Daniel Gustav Cramer: published by domobaal editions for Daniel Gustav Cramer's exhibition Trilogy, Part 2; by Jonathan Miles; DOMOBAAL editions – 2006; ISBN 0954459075

Woodland: published for Daniel Gustav Cramer's first solo exhibition at domobaal gallery supported by Kunststiftung NRW and Buro Fur Fotos/van der Grinten Galerie, Cologne; full colour with 17 images; DOMOBAAL editions – 2005; ISBN 0954459067

Vapour – the Art of Daniel Gustav Cramer: published for Daniel Gustav Cramer's first solo exhibition 'Woodland' Part I of Trilogy; by Jonathan Miles; DOMOBAAL editions – 2004; ISBN 0954459040

DAVID GATES

Signature: A scored, unfolded, double–sided editioned lithograph limited to 74 copies by David Gates and Andrew Curtis, continuing a long–standing collaboration between the two artists. Printed at the Curwen Studio, Cambridgeshire in offset litho, each print is stamped by The Rural College of Art and numbered by hand – 2013

HARIS EPAMINONDA

Old Earth, No More Lies, I've Seen You…: Haris Epaminonda, Mustafa Hulusi; Cyprus at The 52nd Venice Biennal exhibition catalogue, essays by Brian Dillon, Sotiris Kyriacou, Denise Robinson, Jalal Toufic, Cyprus Ministry of Education and Culture – 2007; ISBN 9781874044659

Beyond Sensation: Art of the last Ten Years; exhibition catalogue, essay by Alistair Hicks; Deutsche Bank – 2007; ISBN 978398193292

Shadows (Transmission: The Rules of Engagement 11): What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester; Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm; Artwords Press – 2007; ISBN 9781906441029

East International catalogue 2006: ISBN 1872482805

The Kaleidoscopic Eye: Thyssen–Bornemisza Art Contemporary Collection: Exhibition Catalogue from the exhibition at the Mori Art Museum, Tokyo; Harback, 140 pages, published by Mori Art Museum.; ISBN 9784902819236

Fare Una Scenata/Making A Scene: Exhibition Catalogue from the exhibition at Fondazione Morra Greco, Naples, Italy, curated by Jörg Heiser.; Soft cover, 100 pages, published by Sternberg Press, Berlin, June 2009.; ISBN 9781933128757

Past–Forward: Publication for the exhibition Past–Forward at 176 Projects, London, curated by Vincent Honoré; with contributions from Andrew Hunt, Michael Ned Holte, Ilsa Colsell, Raimundas Malasauskas and Ben Borthwick. Numbered edition of 1,000. Designed by äbäke.

When things cast no shadow: 5th Berlin Biennale, catalogue: Soft cover, 592 pages, published by KW Institute for Contemporary Art, Berlin, and JRP Ringier.; ISBN 9783905829587

Undo Nr.1/2007 Journal: Alexander García Düttmann, Christos Hadjiyannis, Jonathan Miles, Hala Auji, Demetris Taliotis, Haris Epaminonda, Alessandra Swiny, Daniel Gustav Cramer, Haris Pelapaisiotis, Ian Kiaer.; Published by the Undo Foundation, Nicosia, Cyprus, Greece.

Fractured Figure, Works from the Dakis Joannou Collection: Works from the Dakis Joannou Collection Athens, September 5, 2007 – July 31, 2008; Text by Jeffrey Deitch, Book Edited & designed by Urs Fischer with Cassandra MacLeod, Book Design by Scipio Schneider, 216 pages.; Published by the Deste Foundation Centre for Contemporary Art, Athens, Greece.; ISBN 9780977868674

Gesture Between Worlds The Art of Haris Epaminonda: published by domobaal editions for Haris Epaminonda's first solo exhibition; DOMOBAAL editions – 2006; ISBN 0954459091

JEFFREY TY LEE

Jeffrey TY Lee and Terue Yamauchi – The Builder: A B5 blueprint publication consisting of eight single folded blueprints 50×35cm, stapled; the cover is a single bluprint image, folded in four, unbound and finished with a dust jacket of tracing paper; blueprint plates printed in Japan by Fukuoka Blueprint Co Ltd, edition 100, September 2011, each copy numbered and signed by the artists.; DOMOBAAL editions – 2011; ISBN 978-1-905957-12-5

Jeffrey TY Lee: Broadsheet newsprint poster, printed by Newsfax for Jeffrey TY Lee's solo exhibition in 2006; DOMOBAAL editions – 2006

JOHN STRUTTON

Arthur Brick – Songs Vol 1 – Special Edition with Original Drawings: Lyrics to 11 Arthur Brick songs printed on watercolour paper with 11 hand–painted colour watercolours by John Strutton, EP/CD of songs included.; September 2009

Fylthye Fome Vol 1 – Your Void or Mine: 18 pages of words and images in black & white, including a selection of Morning Drawings by John Strutton.; September 2009

Arthur Brick – Original Swiss Wedding: EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images); 2009

Arthur Brick – Original Swiss Wedding: EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images); 2009

Arthur Brick – Original Swiss Wedding: EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images); 2009

Arthur Brick – Original Swiss Wedding: EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images); 2009

Arthur Brick – Original Swiss Wedding: EP/CD – 2009 (with Free Beermat)

Arthur Brick/Original Swiss Wedding – badge: September 2009 (with Free Beermat)

Donderslag (1654) – badge: March 2009 (with Free Beermat)

Donderslag – Pamphlet: March 2009 (with Free Beermat)

Arthur Brick – Brown: Debut Album on CD – 2008 (with Free Beermat)

LARA VIANA

Lara Viana: Pocket Book with an essay by Rebecca Geldard for Lara Viana's solo exhibition in January 2010, includes a signed, editioned print on archival paper of 'Untitled (shift)' by Lara Viana, edition 100.; DOMOBAAL editions – 2010; ISBN 9781905957071

Ruins: Published on the occasion of Lara Viana's solo exhibtion at The Regency Town House, Brighton, text by Laura McLean–Ferris 2011; 6 colour plates, tipped–in, edition: 50; Permanent Gallery, Brighton – 2011

LEE EDWARDS

Lee Edwards – How to disappear completely: A domobaal editions pocket book, unbleached Kraft board front cover, gatefold, A6, 14 folded pages with ten tipped–in colour plates of miniature portraits reproduced life–size, by Lee Edwards on found pieces of wood, text by Iphgenia Baal, published for Lee Edwards eponymous exhibition in May 2011, edition: 100 copies, each signed and numbered by the artist.; DOMOBAAL editions – 2011; ISBN 9781905957088

Lee Edwards and Neill Kidgell – Newlife: An artists book of sixteen collages by Neill Kidgell made from photographs of public and domestic spaces in London taken by Lee Edwards, A5, edition 100.

LOTHAR GÖTZ

Lothar Götz, Works – 2011: Published by Hatje Cantz, edited by Oliver Zybok with texts by Christoph Asendorf, Hans Günter Golinski, Rob Wilson and Oliver Zybok, graphic design by Frank Mueller, German/English, 232 pages, 220 colour illustrations, 17.20×24.00cm hardcover; Hatje Cantz – 2011; ISBN 9783775730020; £35 available at the gallery

LUCY PAWLAK

The Story of My Art by Bearded Man

A Children's Story About A Monkey Who Dies: A Lucy Pawlak Films publication; soft binding, 40 pages with 25 b&w illustrations – 2009

Sexist Rhymes by Bearded Man: A Bearded Man/Lucy Pawlak Films publication; Hand–Coloured Rhymes – 2009

The Period – Snow Day: A Bearded Man/Lucy Pawlak Films publication; A Comic in Full Colour – 2009

The Dark Ages – Making An Exhibition (Yet Another Vision Of The Future): A Bearded Man/Lucy Pawlak Films publication; A Comic in Full Colour – 2009

The Dark Ages – On Saving (Yet Another Vision Of The Future): A Bearded Man/Lucy Pawlak Films publication; A Comic in Full Colour – 2009

Publicity Shots: A Selection of Unique Signed Photographs of Bearded Man, Elderly Lady, Old Gent and Naked Woman (above: Bearded–Man Publicity Shot); Each: Unique, Signed, 2007

Special Features, The Director's Commentary on The Making of Samsonov: A Bearded Man/Lucy Pawlak Films publication; DVD 10’00 min – 2007

Sommerakademie 2008 im Zentrum Paul Klee: dragged down into lowercase; Clementine Deliss & Oscar Tuazon and others; Zenrum Paul Klee – 2008; ISBN 9783952332405

MARCEL DINAHET

Marcel Dinahet 1990–2010: Monograph on the work of Marcel Dinahet, 303 pages in full colour with essays by Jean–Marc Huitorel, Gilles A. Tiberghien, Dominique Abensour, Larys Frogier, Louise O'Hare; Editions Lienart – 2011; ISBN 9782359060393

Ouessant: Publication to mark Marcel Dinahet's residency on the island of Ouessant in 2008.; Essay in French and English by Celia Crétien.; Association Finis Terrae – 2008

Les Flottaisons: Catalogue for the exhibition 'Les Flottaisons' at Centre d'art Le grand café à Saint–Nazaire, France.; Essay in French and English by Sophie Legrandjacques.; published by Centre d'art Le grand café à Saint–Nazaire, France, supported by FRAC Bretagne – 2000; ISBN 291361700

Périples/Travelling: Catalogue with essays in English and French by Dominique Abensour, Jean-Marc Huitorel, Pascale Risterucci.; Centre d'art Le Quartier à Quimper – 2001; ISBN 2908939339

MARTINA SCHMID

Landed: artist's book – 2002

Thirteen collected lands: artist's book – 2001 published for Martina Schmid's solo exhibition 'Land or Reason' at domobaal gallery in February 2001.

Ausland: Jan Peters, Martina Schmid, Silke Schatz, with essays by Jane Rendell and Thomas Wulffen supported by Goethe Institut, London; DOMOBAAL editions – 2003; ISBN 0954459016

MIHO SATO

Miho Sato: mini leparello; essay by Rebecca Geldard; with 8 colour plates, published for Miho Sato's second solo exhibition at domobaal gallery in February 2007; DOMOBAAL editions – 2007

Amnesia: mini leparello; essay 'Ruination' by Jonathan Miles; full colour with 8 images, published for Miho Sato's first solo exhibition at domobaal gallery in June 2005; DOMOBAAL editions – 2004

PENELOPE HARALAMBIDOU

The Blossoming of Perspective, a study by Penelope Haralambidou: a response to Duchamp's call for the interpretation of 'Etants Donnés: 1.la chute d'eau, 2.le gaz d'éclairage…'; essays by Penelope Haralambidou, T.J. Demos, Jonathan Hill, Lorens Holm, Brigid McCleer; published to accompany the eponymous exhibition, at domobaal in January 2007; DOMOBAAL editions – 2007; ISBN 1905957017/9781905957019

RACHEL ADAMS

Rachel Adams – drawnthread: A magazine (B5, in full colour) hand–sewn binding with soft fabric cover with binding needle anchored in the cover, edition 100, each numbered and signed by the artist, September 2011.; DOMOBAAL editions – 2011; ISBN 978-1-905957-13-2

RON HASELDEN

A Series of Postcards/Une Serie de Cartes Postales: An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images, or to purchase more than one postcard.

A Series of Postcards/Une Serie de Cartes Postales: An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images, or to purchase more than one postcard.

A Series of Postcards/Une Serie de Cartes Postales: An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images.

In the Asking: an extended essay by Dr Timothy Martin (4 pages A4 with image sheet insert) written for Ron Haselden's second solo exhibition at domobaal and his exhibition at the Camden Arts Centre.; DOMOBAAL editions – 2008; ISBN 9781905957033

ROXY WALSH

Felix Culpa: Exhibition catalogue, published for Roxy Walsh's solo exhibition at domobaal gallery in June 2006, includes essays by Dale McFarland, Adrian Rifkin, Sharon Kivland and Simon O'Sullivan.; ARTicle Press – 2006; ISBN 1873352549

SHARON KIVLAND

Items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holiday periods this time may be extended, all placed orders will advised or confirmed accordingly. The list includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery. Should customers be averse to using PayPal, please contact the gallery directly and an alternative arrangement can be made.

Reproductions III Du Monde/Of the World Sharon Kivland – 12 Part Subscription Package: Domo Baal and Sharon Kivland are delighted to announce a new subscription series, following the success of Reproductions I in 2012 (with many satisfied customers). The next series is subtitled Du Monde/Of the World, and if you will forgive a perhaps grandiose notion, the artist has been thinking about Maurice Merleau–Ponty's account of vision and visibility (that we are looked at, in the spectacle of the world), and Jacques Lacan's commentary thereon (that the world is not exhibitionistic, it does not provoke our gaze, but when it does, the feeling of strangeness begins). But enough of that!

There will be twelve books in the series, which is limited to an edition of 50, with an additional thirteenth book offered free to early subscribers (Femmes du Monde). Each book, between 16 and 36 pages, draws on the artist's collections of postcards, magazines, cuttings, and other printed ephemera, in another attempt to organise, catalogue, and archive. There is little text, apart from the title and usual colophon material. The books are black and white, printed on an ivory 120gsm Munken paper, stapled with a square spine, each: 19cm by 15cm. Subscribers will receive one book each month.

Laura Gonzalez writes: "I wanted to tell you how much of a satisfied customer of your subscription I am. 'Les amants du monde' is extraordinary, moving, and rather uncanny in the fixity of the images. I cannot help but wonder what happened to them. The book becomes a kind of verb, rather than a noun, if you see what I mean."

At its completion, the series will be neatly and attractively housed in a handsome bespoke slipcase, made by Book Works studio, and potential subscribers should budget for this (we cannot confirm the cost at this point, but we imagine somewhere around £50 – this is offered at cost price). The cost of subscription for the full set of books alone is £125 and this price includes post and packing to the UK and Europe.

Titles may include: Femmes du Monde/Women of the World, Hommes du Monde/Men of the World, Rosièristes du Monde/Rosegrowers of the World, Barmen du Monde/Barmen of the World, Amants du Monde/Lovers of the World, Philosophes du Monde/Philosophers of the World, Arrangements floraux du Monde/Flower arrangements of the World.

A subscription may be activated by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the subscription may also be purchased by contacting the gallery directly *here and an invoice for payment by bank transfer can then be issued.; DOMOBAAL editions – 2013; ISBN 978-1-905957-30-9 (Reproductions III – vol I: Femmes du Monde); ISBN 978-1-905957-32-3 (Reproductions III – vol II: Amants du Monde); ISBN 978-1-905957-33-0 (Reproductions III – vol III: Œufs du Monde)

Sharon Kivland – Le Style Louis XVI: A small catalogue of Louis XVI furniture, which makes a rapport between style and revolution, furniture and its naming, femininity and the neo–classical. The ambience is welcoming, despite its sobriety and a whiff of the Terror. The book is published in a edition of 50 copies at the kind invitation of AM Bruno on the occasion of the 16th International Contemporary Artists' Book Fair, Leeds.; 17×10.5cm, stapled, this sixteen-page book contains six duo–tone photographic plates, tipped–in by hand; DOMOBAAL editions – 2013; ISBN 987-1-905957-31-6

Sharon Kivland – Reproductions II: A publication in two volumes, bound together to accompany Sharon Kivland's eponymous exhibition, by Jan Campbell and Steve Pile. Dr Jan Campbell is a Reader in English Literature and Psychoanalysis in the Department of English at the University of Birmingham. Jan Campbell has also worked clinically for thirteen years as a psychoanalyst, as well as writing widely on psychoanalysis in relation to feminism, queer theory, autobiography, social and cultural theory, literature, and film. Her most recent book is on the telepathic movement of a maternal form, which she argues is the necessary transferential sublimation of the repressed 'Freudian Passions: Psychoanalysis, Form and Literature' published by Karnac in the Spring of 2013. Professor Steve Pile teaches Geography in the Faculty of Social Sciences at The Open University. He has published on issues concerning place and the politics of identity. He is author of 'Real Cities: modernity, space and the phantasmagorias of city life' (2005) and 'The Body and The City: psychoanalysis, subjectivity and space' (1996). His many collaborative projects include the forthcoming collection, 'Psychoanalytic Geographies' (edited with Paul Kingsbury). He is currently working on early Freudian psychoanalysis and geographies of the body.; Edition of 100; DOMOBAAL editions – 2013; ISBN 987-1-905957-29-3

Sharon Kivland – Mes Mouches: A beauty spot is usually a lesion caused by a 'melanocycotic nevus', but at certain times it was considered to be such an attractive feature that it was appiled as makeup or as a 'mouche' in ve;vet or silk; Edition of 100, published at the kind invitation of AM Bruno to their project Black Circle on the occasion of the London Art Book Fair 2012; 14 pages, stapled, 22.5×15.5cm, with 21 b&w photographic illustrations; DOMOBAAL editions – 2011; ISBN 987-1-905979-27-9

Sharon Kivland – Les Devises Manquantes/The Missing Slogans: The book includes the slogans of the French Revolutions, from 1789 to 1848 (in the expression of popular sentiments), and some patriotic Mariannes. Produced in response to 'What is to be done?', bookart bookshop, and one of the ten winners of the bookart prize.; 18.5×12cm, edition of 10, 2012

Sharon Kivland – Encore un Effort: Cropped images from a set of photographs of violent scenes in the student paper 'Tribune' from May '68 – attention is drawn to a blouson jacket or a buckled shoe, rather than the fall of the baton. The centre pages are a spread of text drawn from fashion magazines of the same period in French history, but including two slogans, one from 1968 and the other from 1795 (after de Sade). Produced as part of the exhibition 'Lessons in history vol. ii – Democracy', Grahame Galleries and Editions, Brisbane, Australia.; 22.5×15.5cm, edition of 100, 2012; Democratically printed in a reprographic unit.

Sharon Kivland – Ma Pétroleuse: For Un vent de révolution, a solo exhibition at centre d'art passerelle, Brest, Sharon Kivland produced a high–street line of her work Noms propres (ma pétroleuse), making this attractive yet provocative necklace available to the woman in the street or at the barricade at an affordable price. The term, the source of which lies in the Paris Commune of 1871, means a woman who speaks her political views too stridently, but can also imply a cockteaser (what a naughty tease). In an edition of ten, each necklace, in fine quality sterling silver, comes in a presentation gift box, stamped in red with title and date, and lined with red silk. The edition is produced by centre d'art passerelle in collaboration with Domo Baal, London, and following the exhibition is available at the modest price of £75. It is, we think you will agree, the perfect gift for that special revolutionary woman.

Sharon Kivland Reproductions I – 12 Part Subscription Package: Following the surprising success (the artist was surprised anyway), of her book 'La mer est si bleue' Domo Baal and Sharon Kivland launched a book project that was offered on subscription throughout 2012. It may be described as a speciality package and is certainly most attractive. The full set may now be purchased by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the set may also be purchased by contacting the gallery directly *here and an invoice for payment by cheque or bank transfer can then be issued.

Reproductions I consists of a series of twelve books (plus an extra bonus thirteenth book) each in an edition of 100, in a stapled 26×20cm format, with between twelve and twenty–four pages each which draws on Kivland's extensive and particular collection of printed ephemera and postcards, classed thematically according to the whim of the artist (see below). The full set can now be purchased for the modest price of £250. The set now includes an extra bonus book Certains messages de loin and is presented in a handsome specially designed bookcloth slipcase made by hand at Bookworks Studio.

Titles are as follows: Frères et Sœurs, Communiants et Communiantes, Pierrots et Pierrettes, Nus exotiques, Les Chiens des Pyrenées, Les Chalets Suisses, Les Amants Modernes, La Neige sur les montagnes, Les Reflets, Femmes et roses, Les Cascades, Les Fontaines, Messages de lointain.

(Although the titles are in French, as the books are (largely) made of images only, language should be no barrier to comprehension); DOMOBAAL editions – 2012; ISBN 978-1-905957-15-6 (Frères et Sœurs); ISBN 978-1-905957-16-3 (Communiants et Communiantes); ISBN 978-1-905957-17-0 (Pierrots et Pierrettes); ISBN 978-1-905957-18-7 (Nus exotiques); ISBN 978-1-905957-19-4 (Les Chiens des Pyrenées); ISBN 978-1-905957-20-0 (Les Chalets Suisses); ISBN 978-1-905957-21-7 (Les Amants Modernes); ISBN 978-1-905957-22-4 (La Neige sur les montagnes); ISBN 978-1-905957-23-1 (Les Reflets); ISBN 978-1-905957-24-8 (Femmes et roses); ISBN 978-1-905957-25-5 (Les Cascades); ISBN 978-1-905957-26-2 (Les Fontaines); ISBN 978-1-905957-28-6 (Messages de lointain)

Sharon Kivland – Freud on Holiday, Appendices I–IV: Freud's Weather, Freud's Dining, Freud's Hotels, Freud's shopping: "No need here for the overcoat worn by Freud's patients, 'woven of a tissue of lies, as though the weather were bad in the world of sexuality'. Sharon Kivland brings us close to Freud at ease – relaxed, ordinairy, and invigorated by travel – these little books are talismans for those who value pleasure and freedom." Sarah Wood, Oxford Literary Review.; information as material – 2013; ISBN 978-1-907468-16-2

**Offer Two: Sharon Kivland – Bumper Freudian Package: Domo Baal in association with information as material and Cube Art Editions, presents a special offer of a Bumper Freudian Package of Sharon Kivland's twelve publications on and around readings of the life and work of Sigmund Freud.

This is an opportunity to acquire these books at a keen price and to have an overview of Kivland's psychoanalytically–inflected reading, which she has described as 'ventriloquism'. The usual total retail price is £121.50 but here is offered for £85 including post and packing to UK addresses (post and packing to European addresses will cost an extra £15). As some of the books are nearly out of print, this offer is limited to 40 subscribers, with preference given to those who subscribe to both of these elegant packages. Full details of this offer are detailed in the pdf on the link below. An order may be placed by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the package may also be purchased by contacting the gallery directly **here and an invoice for payment by cheque or bank transfer can then be issued.

**Offer Two: download the pdf showing full details of all twelve publications in Sharon Kivland's Bumper Freudian Package

Sharon Kivland – La mer est si bleue: 'Hello from Stella beach where I am spending a nice holiday, despite the bad weather. Best wishes, Marie–Claire'; Edition of 100, published at the kind invitation of AM Bruno on the occasion of the London Art Book Fair 2011; 28 pages, stapled, 26×20cm, 12 b&w photographic illustrations; DOMOBAAL editions – 2011; ISBN 987-1-905957-11-8

Sharon Kivland – Le rouge baiser: A numbered edition of 100, each with an attractive photograph, on which the artist has more or less carefully painted the lipsticked mouth of the image with watercolours, while considering that while 'le rouge baiser permet le baiser' (the red kiss allows kissing), it also permits caressing, screwing around, adultery and fucking.; Chapbook with 20 folded pages, stapled, 15×10.5cm, 16 b&w photographs; DOMOBAAL editions – 2011; ISBN 9789059957149

Sharon Kivland – Freud on Holiday, Volume III The Forgetting of a Proper Name: The third volume in the series Freud on Holiday describes a number of holiday possibilities, the problem of deciding where to go and when, the matters of cost and convenience, of appropriate companions and correct context. There are descriptions of train itineraries, of hotel rooms and restaurant menus, but the name of one restaurant resists recall for most of the book. There is a surprising connection with hysteria and another name is forgotten en route, accompanied by an embarrassing error in chronology. At last, forgotten names are remembered, although an image that has been talked away is not seen again.; Designed by Christos Lialios, Greek translation by Margarita Kremmyda, 56 pages, perfect bound, softback binding with dust–jacket, one colour cover, 2 b&w photographs and 16 colour illustrations, 23×14.5cm, edition 400; Co–published by Cube Art Editions, Athens and information as material, York, 2011; ISBN 978-960-99662-3-8 (Greece); ISBN 978-1-907468-06-3 (UK)

Sharon Kivland – Freud on Holiday, Appendix II Freud's Dining: Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. He made a distinction between the holidays he spent with his family during the month of August and those voyages he took later, most often in September, with complicated itineraries. Freud prepared carefully for his trips, consulting tourist guides and other travel literature concerning the places he intended to visit attentively, especially those of the sites of classical antiquity, and of course, the famous Baedeker. The fifty–six letters and hundred and eighty–nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of what he ate and drank (and the state of his digestion) have been collected.; Designed by James Brook, 16 pages, stapled, 23×14.5cm, edition of 300; Published by information as material, York, 2011; ISBN 978-1-907468-10-0

Sharon Kivland – Freud on Holiday, Appendix I Freud's Weather: Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. He made a distinction between the holidays he spent with his family during the month of August and those voyages he took later, most often in September, with complicated itineraries. Freud prepared carefully for his trips, consulting tourist guides and other travel literature concerning the places he intended to visit attentively, especially those of the sites of classical antiquity, and of course, the famous Baedeker. The fifty–six letters and hundred and eighty–nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of the weather have been collected.; Designed by James Brook, 16 pages, stapled, 23×14.5cm, edition of 300; Published by information as material, York, 2011; ISBN 978-1-907468-09-4

Sharon Kivland – Reisen II: Reisen II is the second in a series of occasional pamphlets, which refer to the trains, train journeys, railway–lines, stations, station platforms, railway timetables, ticket collectors, and train compartments in the life and work of Sigmund Freud. This modest booklet contains details of some of the train journeys of Freud's holidays, gleaned from his correspondence home, with reference to contemporary editions of Cook's Continental Time Tables, Tourist's Handbook and Steamship Tables, supplemented by consultation of the European rail timetables of the present day.; 16 pages, softback, stapled binding, 2 b&w photographs, 16×11.5cm, edition 150; information as material, York – 2010; ISBN 97819074680701

Sharon Kivland – Le cri de la soie (Volume II): The speech of kleptomaniac women interviewed by Dr Gaëtan de Clérambault in 1902 is entangled with a medical analysis; the resulting text is an insistent and extended cry of fetishism for silk – an erotic passion, tactile and jouissant. V.B. says that the contact with silk is superior to its sight and that while she would like to sleep in silk, it's not her style; that's for women who are seen in bed.; Edition of 100, 15cm×11cm, 24 pages, published to accompany Sharon Kivland's 'Le cri de la soie (Volume I)'; DOMOBAAL editions – 2011; ISBN 9781905957095

Sharon Kivland – Le cri de la soie (Volume I): 'To the cropped and enlarged photograph, extracted from an underwear trade journal of the 1950s, a strip of colour, that of the packaging of the scent 'Allure' by Chanel is added, cropping or extending the image further. Each woman is ecstatic; the touch of silk against her skin is enough to make her faint, to send into an enclosed jouissance, like those kleptomaniac patients of Gaëtan de Clérambault, for whom the squeaky sound of silk as it was rubbed provided the most intense sensation.'; Edition of 100, 15cm×11cm, 24 pages, 15 duo–tone photographs, published to accompany Sharon Kivland's exhibition 'I am sick of my thoughts'.; DOMOBAAL editions – 2011; ISBN 9781905957088

Sharon Kivland – Reisen I: The first in a series of occasional pamphlets, which refer to the trains, train journeys, railway–lines, stations, station platforms, railway timetables, and train compartments in the life and work of Sigmund Freud. In 1900 'The Interpretation of Dreams' was published, from which Kivland has drawn short extracts, edited, to a certain extent, in an attempt to retain only references to trains. She imagined that many more trains or railways had occurred in the dreams recounted therein and was disappointed that there were not more description of the trains and routes, both main and branch lines, of the Staats–Eisenbahn–Gesellschaft. Still, un train peut en cacher un autre.; 16 pages, softback binding, 2 b&w photographs, 16×11.5cm, edition 150; information as material, York – 2010; ISBN 9781907468018

Sharon Kivland – Freud and the Gift of Flowers: Sharon Kivland with Forbes Morlock; A revised version of a seminar given by Forbes Morlock at the Institute of Germanic and Romance Studies, University of London in June 2007. There are gardenias, there are letters and postcards, there are presents, and there are lavish illustrations of the flowers Freud did not receive.; 32 pages, softback binding, gatefold cover, 12 b&w photographs, 17×10cm, edition 500; information as material, York – 2010; ISBN 9781907468001

Sharon Kivland – Le Lever: Letterpress on Ruscombe Mill handmade paper, leather portfolio with letterpress foil blocking, Edition of four, three in portfolios, one set framed, plus two artist's proofs; 2008; POA

Sharon Kivland – Afterwards: Published on the occasion of the exhibition 'Afterwards' curated by Sharon Kivland, and organised by the Mead Gallery; 48 pages, softback binding, gatefold cover, 25 b&w photographs, 17×10cm; Mead Gallery, Warwick Arts Centre, UK – 2009; ISBN 9780902683914

Sharon Kivland – nous deux: Antique lorgnette with engraved glass, toile de Jouy cotton/linen, glacé kidskin box with letterpress foil blocking. The useful lenses that may expose the flaw in the beloved nestle on an Arcadian scene, ready to spring into action for close inspection, thanks to their nifty snap mechanism.; (This should not be shown to those recently abandoned by their lovers).; A unique object in a continuing series – 2008; POA

Sharon Kivland – An Agent of the Estate: In 'An Agent of the Estate' Kivland invites the reader to follow her tour of properties, with detours through stations and board games. Kivland has haunted the Freud Museums in London and Vienna, as though lingering improperly and listening at doors – an alien guest. In this book she gives her readers a glimpse of how one might find more than a petrified spectre of psychoanalysis on the sites of its history. Adept in ventriloquism and other uncanny tricks, she offers a buyer's guide to some of the dwelling–places of psychoanalysis, while reminding the reader that the ego is not master in its own house. (caveat emptor).; 32 pages, softback, sewn, gatefold cover, 14 black and white photographs, 21.70×10cm, edition 500; information as material, York – 2008; ISBN 9780955309281

Sharon Kivland – A Wind of Revolution Blows, The Storm Is on The Horizon: Fashion: A Glossary of Terms, by Esther Leslie, illustrated by Sharon Kivland.; Published to coincide with Sharon Kivland's solo exhibition 'A Wind Of Revolution Blows, The Storm Is On The Horizon' at Chelsea Space.; Chelsea Space – 2008; ISBN 9781906203245

Sharon Kivland – Freud on Holiday, Volume II A Disturbance of Memory: A Disturbance of Memory is the second volume in Sharon Kivland's trilogy, Freud On Holiday; a series of experimental travel writings in which she re–imagines journeys made (and sometimes dreamt) by Sigmund Freud to European sites of archaeological importance.; Once a year Freud would go on holiday with his brother, Alexander. Using Freud's published works and archives, Kivland has diligently established the routes and itineraries of three such holidays, and pieced together all the other historical traces of Freud's thoughts and reactions during and surrounding each of those holidays and the experiences they involved. Each book in her series documents Kivland's experiences as she re–takes one of the same holidays, in the twenty–first century, with her sister. Through writings, photographs, drawings, postcards and other fragments Kivland assembles books that work between traditional genres to produce a new kind of para–scholarly performance. Volume II documents the sisters' adventures as they follow Freud and his brother to Trieste and Athens, and are frequently diverted by the traces of others, including James Joyce, Jacques Derrida, Italo Svevo, and Ulysses.; In Trieste in 1904 the brothers determined to go to Corfu but were told by their host that it would be too hot and that they should go to Athens instead. Any change of plan seemed impractical to Freud, but they succeeded in booking tickets and took the trip to Athens. When Freud arrived in Athens and stood on the Acropolis he found himself surprised to be thinking: 'So all this really does exist, just as we learnt at school!' His surprise was twofold: firstly , that something unbelievable exists, and secondly, that its existence should have been in doubt. Such is the cue that A Disturbance of Memory takes up.; Kivland's project is contextualised by an Introductory essay by American literary theorist, Craig Saper, and the English language first half of the book is followed by a full Greek translation by Maria Skamaga.; 186 pages, perfect bound, softback, sewn, with screen printed dust jacket, 23×15cm, 35 b&w photographs and 15 b&w illustrations, edition 1000; co–published by information as material and Cube Art Editions, Athens – 2008; ISBN 9780955309236

Sharon Kivland – L'esprit d'escalier: A revised version of a paper given in 'Outside/In: architecture, psychoanalysis, and spaces in–between' at the Freud Museum, London in June 2006, during Architecture Week (Arts Council of England), the text ostensibly pursues the references to domestic architecture in the dreams of Sigmund Freud as a narrative, while the subtext expresses anxiety, loss, and the revisiting of a subjective past – oh, and the forgetting of a lovely pair of shoes, as the author and Freud miss a collision on the stairs of 19 Bergasse, Vienna. The text is punctuated by a series of black and white photographs, taken on the stairs of the same apartment block, as the author searched for her title, her shoes, and her subject.; 32 pages, softback binding, gatefold cover, 14 b&w photographs, 17×10cm, edition 500; information as material – 2007; ISBN 9780955309243

Shadows (Transmission: The Rules of Engagement 11): What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester; Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm; Artwords Press – 2007; ISBN 9781906441029

Sharon Kivland – Freud on Holiday, Volume I Freud Dreams of Rome: Freud Dreams of Rome is the first volume in Sharon Kivland's trilogy, Freud on Holiday; a series of experimental travel writings in which she re–imagines journeys made (and sometimes dreamt) by Sigmund Freud to European sites of archaeological importance.; Once a year Freud would go on holiday with his brother, Alexander. Using Freud's published works and archives, Kivland has diligently established the routes and itineraries of three such holidays, and pieced together all the other historical traces of Freud's thoughts and reactions during and surrounding each of those holidays and the experiences they involved. Each book in her series documents Kivland's experiences as she re–takes one of the same holidays, in the twenty–first century, with her sister. Through writings, photographs, drawings, postcards and other fragments Kivland assembles books that work between traditional genres to produce a new kind of para–scholarly performance. Volume I contains an essay and a set of photographs – image plates that are introduced as 'Freud's holiday photographs' and tipped–in the book after printing. Through these two dynamics, the book documents the sisters' adventures as they follow Freud and his brother to Rome, a place Freud had dreamt about four times before visiting.; The text appears to be a conference paper, with sudden asides and peculiar distractions. The images are rather strange. They show no people. They are oddly cropped. They reveal only impasses, dark courtyards, angles of buildings. Their source is uncertain. Freud Dreams of Rome creates a space for its readers to take a drive through Freud's imagination as his experience of Rome shifts from the imaginary to the real: a shift from the longing he felt for the city whilst working on his seminal project, The Interpretation of Dreams, to his really being 'there'.; 32 pages, perfect bound, softback binding with 11 b&w photographs tipped–in by hand, 23×14.5cm, edition 500; information as material – 2006; ISBN 0954459067

Sharon Kivland – La Forme–Valeur/The Value–Form: La Forme–Valeur/The Value–Form is a sixteen–page book, following the exhibition of the same title at Galerie de Cloître, Rennes in 2005. The commodity, from chapter 3 of Capital by Karl Marx, in both French and English translations, finds a voice as a woman, on a Chanel–pink ground. The edge of the cover is gilded, recalling the packaging of 'Allure'.; DOMOBAAL editions – 2006; ISBN 0954459032

Sharon Kivland – Nom Propre (Pétroleuse): Nom Propre (Pétroleuse) is a hand–made silver necklace, a unique object from a series of 3 necklaces each presented in the same way in a silk covered foil–blocked box, lined in plush red silk velvet. The word Pétroleuse is a pejorative term signifying both an 'allumeuse' in meaning, in French a woman who seeks to inflame the desire of men (without offering satisfaction) as well as a woman who affirms her political opinions in the most violent manner possible. What a naughty tease!. The series is completed by 2 further necklaces presented in foil–blocked boxes: 'Allumeuse' and 'Aguicheuse'.; 2006; POA

Sharon Kivland – Cela aura déjà eu lieu: 'Cela aura déjà eu lieu' is a twenty–page full colour book, published after the exhibition of the same name at the Centre d’art de Morsang, France. As the texts indicate, the project was founded on the Freudian concept of Nachträglichkeit or deferred action. The first part of the work was an invitation, the second an event and viewing, the third, a postcard, and the last, the publication, where all the texts in circulation and the postcard are reproduced.; Centre d’art de Morsang, France, 16 pages with 10 colour photographs.; 2005

Sharon Kivland – Mes Fils: An artists book by Sharon Kivland published for her solo exhibition 'Mes Fils' at domobaal gallery in 2005; Designed by Sarah Backhouse; DOMOBAAL editions – 2005; ISBN 0954459059

Sharon Kivland – flair: Published on the occasion of the project of the same title at The Bartlett School of Architecture, University College, London. Twelve phrases run in a continuous line through the book. The phrases are in a pale rose/flesh pink – actually the colour of Chanel's packaging for their scent 'Allure' – and are descriptions of scents taken from the in–flight magazines distributed on airlines. Each has been altered every slightly so rather than describing a scent, they appear to be a woman describing herself – a vain, crazy woman, 'folle de son corps'. The title has two meaning: in English, it means the possession of a certain style or aplomb, while in French, it more usually means the faculty of discerning an odour or an aptitude for intuition or perspicacity.; DOMOBAAL editions – 2004; ISBN 0954459032

Sharon Kivland – Mes Tropes: There are different senses in which one can take the same word in the same language. 'Mes Tropes' draws on an eighteenth century guide for authors, and is a work that may serve as a useful introduction to rhetoric and logic. In a convenient, modest yet attractive boxed set, these elusive figures of speech are readily available; under the hand, as it were. From allusion to metonym to litote, all are easily found, prompting a richer, more elegant conversation (in French to be sure, to enhance linguistic performance). Sixteen tropes, letter press printed in Estonia, allows readers to speak in public discourse, bestowing vivacity, force and grace to the expression of their thoughts.; Handmade box & 16 letter press printed cards, edition 100; 2003

Sharon Kivland – William Marwick: The Property of a Gentleman 1768 – 1770: 'The Property of a Gentleman' was part of the touring exhibition Nature and Nation: Vaster than Empires, curated by Eggebert–and–Gould, which brought together artists from Australia, France, India, Indonesia, the Netherlands, New Zealand, and Britain, and examined contested territories geographical and symbolic, place and landscape, garden and wilderness, culture and horticulture. 'The Property of a Gentleman' is an edited version of the Naturalist's Journal of William Markwick, covering the period from 1768 to 1776, bequeathed to Hastings Museum and Art Gallery in 1922. The Editor, Sharon Kivland, has transcribed three years of the diaries, painstakingly writing them out by hand at the Curator's desk, for the pages are too fragile to be copied otherwise. Then returning home to the French countryside, she has produced a version working from her manuscript. She has glanced from time to time at her garden and has observed the Narcissus in bloom, the Chinese Honeysuckle first in bud, the Broad Bean first emerging from the ground, and heard the Woodpecker make a loud noise. She, too, is a woman of property.; Hastings Museum and Art Gallery – 2003

A Reader: Lucy Harrison, Sharon Kivland & Nina Papaconstantinou, published on the occasion of the exhibition 'A Reader' at domobaal gallery in 2003.; A5, soft binding, 18 pages with 6 b&w images.; DOMOBAAL editions – 2003; ISBN 09544590

Sharon Kivland – Fragments d'une Correspondance Litteraire: 'Fragments d'une Correspondance Litteraire' is an exquisite edition that is available in two versions that display a sensuous use of materials: as a bound volume of texts covered in straight grain leather and as a loose print folio covered in purple book cloth.' Fragments d'une Correspondance Litteraire' utilises fragments from the letters of Denis Diderot, French philosopher and chief editor of the 'l'Encyclopedie', one of the principal literary monuments of the Age of Enlightenment, to his lover Sophie Volland. In this work, that continues her preoccupation with the correspondence of Diderot and Volland, Sharon Kivland has created a work that exists both as a social document and as a record of an extraordinary love affair.; Bookworks – 2001; Fragments d'une Correspondence Litteraire is printed letterpress, designed and produced at Bookworks Studio.

Sharon Kivland – A Case of Hysteria: 'A Case of Hysteria' draws on Freud's analysis of Dora, a young woman who is brought to him by her father. Dora is suffering from repeated loss of voice and a nervous cough. Sharon Kivland has created a mystery novel about Dora, which investigates the events discussed in her analysis as clues to the unlocking of a story of love and betrayal. The book is a critical study which rewrites one of the key texts in psychoanalysis. A Case of Hysteria reveals an illuminating picture of Dora. The writer–turned detective traces the events recounted in the analysis, following the story to Vienna, Meran and Frazenbad.; Edited by Forbes Morlock. Printed offset in an edition of 1,500 copies, 321 pages, with duotone images throughout, soft–back with printed dust jacket, 23×17.4cm.; Bookworks – 1999; ISBN 1870699

STEPHEN DUNNE

The Phantom Limb: A4 hand screen printed as a limited edition of 45 copies signed and numbered by the artist, 28 pages, stapled. The first 10 copies include one orignal and unique painting on a single page.; RISE editions, Berlin – 2011

WALTER SWENNEN

I am afraid I told a lie: Folded map, offset printing, 100×152cm (open) 25×10.8cm (folded) edition 100 copies signed and numbered by the artist, 30AP; Gevaert editions, Brussels – 2011

Walter Swennen: Broadsheet newsprint poster for Walter Swennen's exhibition, printed at Newsfax International; DOMOBAAL editions – 2010

Maybe a Duck … Maybe a Rabbit …: Jemima Burrill, Ansel Krut, Walter Swennen; Essay by Peter Suchin; Designed by Sarah Backhouse; The Centre for Drawing, Wimbledon School of Art – 2006; ISBN 0948327235

Walter Swennen – How To Paint A Horse: A catalogue for Walter Swennen's solo exhibition at De Garage, Mechelen, Belgium. Devoted entirely to the paintings of Belgian painter Walter Swennen. The publication is conceived as a sort of reference book featuring all Swennen's paintings up to date in a thumbnail format.; soft cover, 96 pages, 28.6×22.3cm; bkSM – 2008

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