All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holiday periods this time may be extended, all placed orders will advised or confirmed accordingly. The list that follows below gallery editions is arranged alphabetically by artist, and includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' button, nor quoted price together with all sold out items are kept in stock for viewing and may be consulted at the gallery. Should customers be averse to using PayPal, please contact the gallery directly and an alternative arrangement can be made.

 

DOMOBAAL editions

 

Ron Haselden – Papillon de la Nuit
Ron Haselden – Papillon de la Nuit
An annotated diary written by Matthew Reeves, working alongside Ron Haselden, of the construction of Ron Haselden's most ambitious and largest cord sculpture to date built in the grounds of Manoir des Guèrandes, Plouër–sur–Rance in Brittany, France in April 2013.
28 pages, 16 colour photographs, one of which is included as a full–bleed scored and folded A4 loose insert.
DOMOBAAL editions – 2014
ISBN 978 1 905957 53 8
Shop: £14.50 (click on thumbnail)

 

Stuart Brisley – domobaal editions 2013
Stuart Brisley
A series of monographic publications by domobaal and Mummery + Schnelle. Each are: soft cover, offset printed, 26.6×20.6cm, fully illustrated and focus on a single body of work as follows: Jerusalem (2011–12), The Missing Text (2012–13), Homage to the Commune (1976), 12 Days (1975), Hille Fellowship Poly Wheel (1970), Photography (1988–91), Before the Mast (2013). Titles are availble as single books and as a set, the series is published in an edition of 300 sets, and is also available presented in a clothbound slipcase made by the Book Works Studio. For more information please contact the gallery directly.

DOMOBAAL editions – 2013

ISBN 978-1-905957-45-3 Stuart Brisley – Photography (1988–91) 16 pp
ISBN 978-1-905957-48-4 Stuart Brisley – Homage to the Commune (1976) 16 pp
ISBN 978-1-905957-45-3 Stuart Brisley – Jerusalem (2011–12) 16 pp
ISBN 978-1-905957-46-0 Stuart Brisley – The Missing Text (2012–13) 12 pp
ISBN 978-1-905957-47-7 Stuart Brisley – 12 Days (1975) 14 pp
ISBN 978-1-905957-49-1 Stuart Brisley – Hille Fellowship Poly Wheel (1970) 20 pp
ISBN 978-1-905957-50-7 Stuart Brisley – Before the Mast (2013) 12 pp
ISBN 978-1-905957-52-1 Stuart Brisley – Complete set in a slipcase (2013)
Shop: £8 per title (click on thumbnail)
Shop: £45 for the full set of 7 titles (click on thumbnail)

 

Sharon Kivland – Jeux de Lignes – domobaal editions 2013
Sharon Kivland – Jeux de Lignes
The notes on corsets, girdles, and brassieres from a French lingerie journal of the 1950s are translated in a rather literal fashion. There are no illustrations save for a drawing at the beginning – – a short girdle with a waistband under a tweed dress – – and one at the end – – a supple corset allows a décolleté for a cocktail dress – – for I am sure my reader has a playful imagination and will embellish the words with ease.
Edition of 50, 20×13cm, stapled, black and white with two hand–coloured tipped in photographic illustrations
DOMOBAAL editions – 2013
ISBN 987 1 905957 38 5
Shop: £25 (click on thumbnail)

 

Reproductions III: Sharon Kivland – 12 Part Subscription Package – domobaal editions 2013
Reproductions III Du Monde/Of the World
Sharon Kivland – 12 Part Subscription Package
Domo Baal and Sharon Kivland are delighted to present a new subscription series, following the success of Reproductions I in 2012 (with many satisfied customers). It is subtitled Du Monde/Of the World, and if you will forgive a perhaps grandiose notion, the artist has been thinking about Maurice Merleau–Ponty's account of vision and visibility (that we are looked at, in the spectacle of the world), and Jacques Lacan's commentary thereon (that the world is not exhibitionistic, it does not provoke our gaze, but when it does, the feeling of strangeness begins). But enough of that!

There are thirteen books in the series limited to an edition of 50 each. Each book of between 16 and 36 pages, draws on the artist's collections of postcards, magazines, cuttings, and other printed ephemera, in another attempt to organise, catalogue, and archive. There is little text, apart from the title and usual colophon material. The books are black and white, printed on an ivory 120gsm Munken paper, stapled with a square spine, each: 19cm by 15cm.

Laura Gonzalez writes: "I wanted to tell you how much of a satisfied customer of your subscription I am. 'Amants du Monde' is extraordinary, moving, and rather uncanny in the fixity of the images. I cannot help but wonder what happened to them. The book becomes a kind of verb, rather than a noun, if you see what I mean."

Stephen Cornell writes: "Just a quick email to let you now how much I am enjoying the new series of books. I'm not sure what it is about the format but the size is really bringing something, it reminds me of books from my childhood but I can't recall the details yet. The warning about the last image in the most recent book was much appreciated but still didn't prepare me for what I saw. Truly disturbing. The giving of eggs appeared to be fairly niche as a subject for cards, however, I am now left with the impression that you have hardly scratched the surface. Perhaps there is a whole category devoted solely to that sinister man from the last page? Keep them coming. Thank you."

Jamie Crewe writes: "The new books are delightful – I love the blue covers, and the size, and the binding, and the quality of the printing. Strangely enough, I think my favourite images in the new one are those of smart young men holding the giant papier maché eggs – I know it's probably related to Easter, but my brain won't allow me to understand why they are posing with them, or why they're giant, so it's romantic and baffling."

Rachel Garfield writes: "I'm enjoying the books more and more. I thought the egg one was great but the men with flowers is even funnier – and sad. I haven't quite put my finger on what it is about them yet, but somehow bound up with this – the nostalgia is subverted through humour and the ridiculousness is subverted through the everyday norm."

Vivien Ashley writes: "There is much to savour in the recent offerings, in particular two legless urbanites dressed for a rural walk. I also love the dancers – the man reminds me of Francois Hollande and his partner clearly had a walk on part in an early Bond film."

Nina Papaconstantinou writes: "Thank you so much for Rosiéristes du Monde and Arrangements Floraux du Monde – I love this series! And it is very interesting how as it develops it gives a more complete picture of what the world is to the author."

Vivien Ashley writes: "Arrangements du Floraux du Monde has given me much delight – I particularly liked the one in the silver teapot. I used to have an annual entry in the novelty section of the Spratton Womens' Institute Flower Show with an artful arrangement in a yellow tea pot. I always received First Prize. But as for fluffy Moggies du Monde – now we're talking. An anxious lot of pussies though, except for a couple of cheery ones towards the end. Why do we like them looking as if they fear being taken off to the nearest rain butt?"

Stephen Cornell writes: "These floral arrangements have had a rather different effect. It's the first time in the series that I have felt that they were all French. You have mentioned that your collection is principally French but I have never been so keenly aware of it. That said, it has made the 'of the world' come into sharper focus as I imagine these collections for every nation."

Laura Gonzales writes: "Chats du Monde was creepy in the best possible way. Anthropomorphic and full of projective desire. It read to me like a sci–fi book and I loved it."

Maria White writes: "I am enjoying the series. I particularly like Femmes du Monde. And who could not enjoy Chats du Monde – terrifying in their cuteness or positively demonic (second to last) – and what is that cat going to do the puppy in the final image?!"

James Hellings writes: "A charming series of mini–archives made up of found images of lost moments. I will miss these moments, and the regularity of their arrival – how often in life may one expect a surprise? My personal favourite, and this to give everything away, is Amants du Monde. The men wear more make–up than the women. There is one image, in particular, that holds my eye. A heavily made–up man sits or lays entirely passively as a woman holds his throat (tenderly?), perhaps she is about to kiss his heavily rouged lips. It is an image which speaks a thousand words I do not know, in a foreign tongue, which I would like translated. Perhaps, Enfants du Monde and Arbres du Monde and Chats du Monde come out of it best; with the most humanity, the most élan, spirit or life. The rest seem like shop dummies, their gaze is fixed, still, expectant yet dead. They unsettle me, these images and archives of the past. The subjects are staged. It is as if they have actually become props for the photographer or become the costumes they wear. They have become objects, wooden and artificial. I am happiest when mistaking philosophers for barmen, and will happily confirm that 'they too address the question of existence'."

The complete series is now offered neatly and attractively housed in a handsome bespoke slipcase, made by Book Works Studio in London. Titles are as set out below.

DOMOBAAL editions – 2013

Reproductions III Vol.I Femmes du Monde ISBN 978-1-905957-30-9
(For a woman of the world is sophisticated, experienced in the ways and manners of society)

Reproductions III Vol.II Amants du Monde ISBN 978-1-905957-32-3
(Si nous parlions un peu de l'amour – sujet à la mode toujours)

Reproductions III Vol.III Œufs du Monde ISBN 978-1-905957-33-0
(On ne fait pas d'omelette sans casser des œufs)

Reproductions III Vol.IV Hommes du Monde ISBN 978-1-905957-34-7
(L'homme du monde se distingue du commun des mortels par sa parfaite éducation, son élégance et ses talents de société – ou, tout au contraire, par son ambition, son extravagance et son charisme naturel)

Reproductions III Vol.V Enfants du Monde ISBN 978-1-905957-34-7
(L'enfance a des manières de voir, de penser, de sentir qui lui sont propres; rien n'est moins sensé que d'y vouloir substituer les nôtres)

Reproductions III Vol.VI Arbres du Monde ISBN 978-1-905957-36-1
(Quand un arbre tombe, on l'entend, quand la forêt pousse, pas un bruit)

Reproductions III Vol.VII Danseurs du Monde ISBN 978-1-905957-37-8
(Quand tu veux danser, vois à qui tu donnes la main)

Reproductions III Vol.VIII Rosiéristes du Monde ISBN 978-1-905957-39-2
(De mémoire de rose, il n'y a qu'un jardinier au monde)

Reproductions III Vol.IX Arrangements Floraux du Monde ISBN 978-1-905957-40-8
(Le cœur le plus sensible à la beauté des fleurs est toujours le premier blessé par les épines)

Reproductions III Vol.X Chats du Monde ISBN 978-1-905957-41-5
(Il faut appeler un chat un chat)

Reproductions III Vol.XI Philosophes du Monde ISBN 978-1-905957-42-2
(Se moquer de la philosophie, c'est vraiment philosopher)

Reproductions III Vol.XII Poissons du Monde ISBN 978-1-905957-43-9
(Il n'y a pas de poisson sans arête)

Reproductions III Vol.XIII Femmes du Monde (encore) ISBN 978-1-905957-44-6
(La femme n'existe pas)

Shop: £185 – This offer ends 30 June 2014 (click on thumbnail above)

 

Sharon Kivland – Le Style Louis XVI – domobaal editions 2013
Sharon Kivland – Le Style Louis XVI
A small catalogue of Louis XVI furniture, which makes a rapport between style and revolution, furniture and its naming, femininity and the neo–classical. The ambience is welcoming, despite its sobriety and a whiff of the Terror. The book is published in a edition of 50 copies at the kind invitation of AM Bruno on the occasion of the 16th International Contemporary Artists' Book Fair, Leeds.
17×10.5cm, stapled, this sixteen-page book contains six duo–tone photographic plates, tipped–in by hand
DOMOBAAL editions – 2013
ISBN 987-1-905957-31-6
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Sharon Kivland 'Reproductions II'
Sharon Kivland – Reproductions II
A publication in two volumes, bound together to accompany Sharon Kivland's eponymous exhibition, by Jan Campbell and Steve Pile. Dr Jan Campbell is a Reader in English Literature and Psychoanalysis in the Department of English at the University of Birmingham. Jan Campbell has also worked clinically for thirteen years as a psychoanalyst, as well as writing widely on psychoanalysis in relation to feminism, queer theory, autobiography, social and cultural theory, literature, and film. Her most recent book is on the telepathic movement of a maternal form, which she argues is the necessary transferential sublimation of the repressed 'Freudian Passions: Psychoanalysis, Form and Literature' published by Karnac in the Spring of 2013. Professor Steve Pile teaches Geography in the Faculty of Social Sciences at The Open University. He has published on issues concerning place and the politics of identity. He is author of 'Real Cities: modernity, space and the phantasmagorias of city life' (2005) and 'The Body and The City: psychoanalysis, subjectivity and space' (1996). His many collaborative projects include the forthcoming collection, 'Psychoanalytic Geographies' (edited with Paul Kingsbury). He is currently working on early Freudian psychoanalysis and geographies of the body.
Edition of 100
DOMOBAAL editions – 2013
ISBN 987-1-905957-29-3
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Sharon Kivland 'Mes Mouches'
Sharon Kivland – Mes Mouches
A beauty spot is usually a lesion caused by a 'melanocycotic nevus', but at certain times it was considered to be such an attractive feature that it was appiled as makeup or as a 'mouche' in ve;vet or silk
Edition of 100, published at the kind invitation of AM Bruno to their project Black Circle on the occasion of the London Art Book Fair 2012
14 pages, stapled, 22.5×15.5cm, with 21 b&w photographic illustrations
DOMOBAAL editions – 2011
ISBN 987-1-905979-27-9
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Reproductions I: Sharon Kivland – domobaal editions 2012
Sharon Kivland – Reproductions I
Following the surprising success (the artist was surprised anyway), of her book 'La mer est si bleue' Domo Baal and Sharon Kivland launched a book project that was offered on subscription throughout 2012. It may be described as a speciality package and is certainly most attractive. The full set may now be purchased by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the set may also be purchased by contacting the gallery directly *here and an invoice for payment by cheque or bank transfer can then be issued.

Reproductions I consists of a series of twelve books (plus an extra bonus thirteenth book) each in an edition of 100, in a stapled 26×20cm format, with between twelve and twenty–four pages each which draws on Kivland's extensive and particular collection of printed ephemera and postcards, classed thematically according to the whim of the artist (see below). The full set can now be purchased for the modest price of £300. The set now includes an extra bonus book Certains messages de loin and is presented in a handsome specially designed bookcloth slipcase made by hand at Bookworks Studio.

Titles are as follows: Frères et Sœurs, Communiants et Communiantes, Pierrots et Pierrettes, Nus exotiques, Les Chiens des Pyrenées, Les Chalets Suisses, Les Amants Modernes, La Neige sur les montagnes, Les Reflets, Femmes et roses, Les Cascades, Les Fontaines, Messages de lointain.

(Although the titles are in French, as the books are (largely) made of images only, language should be no barrier to comprehension)

DOMOBAAL editions – 2012

ISBN 978-1-905957-15-6 (Frères et Sœurs)
ISBN 978-1-905957-16-3 (Communiants et Communiantes)
ISBN 978-1-905957-17-0 (Pierrots et Pierrettes)
ISBN 978-1-905957-18-7 (Nus exotiques)
ISBN 978-1-905957-19-4 (Les Chiens des Pyrenées)
ISBN 978-1-905957-20-0 (Les Chalets Suisses)
ISBN 978-1-905957-21-7 (Les Amants Modernes)
ISBN 978-1-905957-22-4 (La Neige sur les montagnes)
ISBN 978-1-905957-23-1 (Les Reflets)
ISBN 978-1-905957-24-8 (Femmes et roses)
ISBN 978-1-905957-25-5 (Les Cascades)
ISBN 978-1-905957-26-2 (Les Fontaines)
ISBN 978-1-905957-28-6 (Messages de lointain)

 

Sharon Kivland 'La mer est si bleue'
Sharon Kivland – La mer est si bleue
'Hello from Stella beach where I am spending a nice holiday, despite the bad weather. Best wishes, Marie–Claire'
Edition of 100, published at the kind invitation of AM Bruno on the occasion of the London Art Book Fair 2011
28 pages, stapled, 26×20cm, 12 black and white photographic illustrations
DOMOBAAL editions – 2011
ISBN 987-1-905957-11-8
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Rachel Adams – drawnthread
Rachel Adams – drawnthread
A magazine (B5 and in full colour) hand–sewn binding with soft fabric cover with binding needle anchored in the cover, edition 100, each numbered and signed by the artist, September 2011.
DOMOBAAL editions – 2011
ISBN 978 1 905957 13 2
Shop: £30 (click on thumbnail)

 

Ailbhe Ní Bhriain: 'Great Good Places' a four–volume chapbook, presented as as set, in a signed and numbered edition of 100 published to accompany the exhibition
Ailbhe Ní Bhriain – Great Good Places
A set of four A5 chapbooks, each with a bible–cloth soft–cover, of which three are black cloth and one from each set is a different dark hue, with a total of 34 video stills, presented in a glassine bag each copy being signed and numbered by the artist 34 video stills, in a signed and numbered edition of 100. Published to accompany Ailbhe Ní Bhriain's eponymous solo exhibition in 2011.
DOMOBAAL editions – 2011
ISBN 978 1 905957 10 1
Shop: £30 (click on thumbnail)
Jeffrey TY Lee and Terue Yamauchi – The Builder
Jeffrey TY Lee and Terue Yamauchi – The Builder
A B5 blueprint publication of eight single folded blueprints 50×35cm, stapled; the cover is a single bluprint image, folded in four, unbound and finished with a dust jacket of tracing paper; blueprint plates printed in Japan by Fukuoka Blueprint Co Ltd, edition 100, September 2011, each copy is numbered and signed by the artists.
DOMOBAAL editions – 2011
ISBN 978 1 905957 12 5
Shop: £45 (click on thumbnail)

 

'Lee Edwards 'How to disappear completely' a domobaal editions pocket book
Lee Edwards – How to disappear completely
A domobaal editions pocket book, unbleached Kraft board front cover, gatefold, A6, 14 folded pages with ten tipped–in colour plates of miniature portraits reproduced life–size, by Lee Edwards on found pieces of wood, text by Iphgenia Baal, published for Lee Edwards eponymous exhibition in May 2011, edition: 100 copies, each signed and numbered by the artist.
DOMOBAAL editions – 2011
ISBN 978-1-905957-08-8
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Sharon Kivland 'Le rouge baiser'
Sharon Kivland – Le rouge baiser
A numbered edition of 100, each with an attractive photograph, on which the artist has more or less carefully painted the lipsticked mouth of the image with watercolours, while considering that while 'le rouge baiser permet le baiser' (the red kiss allows kissing), it also permits caressing, screwing around, adultery and fucking.
Chapbook with 20 folded pages, stapled, 15×10.5cm, 16 black and white photographs
DOMOBAAL editions – 2011
ISBN 978-1-9059957-14-9
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Sharon Kivland – Le cri de la soie (Volume II)
Sharon Kivland – Le cri de la soie (Volume II)
The speech of kleptomaniac women interviewed by Dr Gaëtan de Clérambault in 1902 is entangled with a medical analysis; the resulting text is an insistent and extended cry of fetishism for silk – an erotic passion, tactile and jouissant. V.B. says that the contact with silk is superior to its sight and that while she would like to sleep in silk, it's not her style; that's for women who are seen in bed.
Edition of 100, 15cm×11cm, 24 pages, published to accompany Sharon Kivland's 'Le cri de la soie (Volume I)'
DOMOBAAL editions – 2011
ISBN 978 1 905957 09 5
Shop: £5 (click on thumbnail)

 

Sharon Kivland – Le cri de la soie (Volume I)
Sharon Kivland – Le cri de la soie (Volume I)
'To the cropped and enlarged photograph, extracted from an underwear trade journal of the 1950s, a strip of colour, that of the packaging of the scent 'Allure' by Chanel is added, cropping or extending the image further. Each woman is ecstatic; the touch of silk against her skin is enough to make her faint, to send into an enclosed jouissance, like those kleptomaniac patients of Gaëtan de Clérambault, for whom the squeaky sound of silk as it was rubbed provided the most intense sensation.'
Edition of 100, 15cm×11cm, 24 pages, 15 duo–tone photographs, published to accompany Sharon Kivland's exhibition 'I am sick of my thoughts'.
DOMOBAAL editions – 2011
ISBN 978 1 905957 08 8
Shop: £5 (click on thumbnail)

 

Broadsheet newsprint poster for Walter Swennen's exhibition, printed by Newsfax International
Walter Swennen
Broadsheet newsprint poster published to accompany Walter Swennen's exhibition, printed at Newsfax International
DOMOBAAL editions – 2010
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Lara Viana by Rebecca Geldard, a domobaal editions pocket book
Lara Viana
Pocket Book with an essay by Rebecca Geldard for Lara Viana's solo exhibition in January 2010, includes a signed, editioned print on archival paper of 'Untitled (shift)' by Lara Viana, edition 100.
DOMOBAAL editions – 2010
ISBN 978-1-905957-07-1
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Time is a Sausage (A Show of Shows) bespoke cotton tote bag
Time is a Sausage (A Show of Shows)
A bespoke cotton tote produced for the exhibition 'Time is a Sausage (A Show of Shows)' sonnet by Iphgenia Baal
DOMOBAAL editions – 2009
edition 150
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Felicity Powell, a domobaal editions pocket book
Felicity Powell
a pocket book with images of 18 wax reliefs, for Felicity Powell's solo exhibition in June 2009.
DOMOBAAL editions – 2009
ISBN 978-1-905957-06-4
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'Because You Stood Still' Paul Feigelfeld on Christopher Hanlon, a domobaal editions pocket book
Christopher Hanlon – 'Because You Stood Still' by Paul Feigelfeld
a pocket book, published for Christopher Hanlon's first solo exhibition 'Because You Stood Still' in February 2009.
DOMOBAAL editions – 2009
ISBN 978-1-905957-05-7
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Letting the World Pass By: The View On The Platform
an extended essay by Karl Baker written for Steve Johnson's exhibition 'Die Welt vorbeiziehen lassen' in November 2008.
DOMOBAAL editions – 2008
ISBN 978-1-905957-04-0
Dr. Timothy Martin on Ron Haselden 'In the Asking'
Ron Haselden – In the Asking
an extended essay by Dr Timothy Martin (4 pages A4 with image sheet insert) written for Ron Haselden's second solo exhibition at domobaal and his exhibition at the Camden Arts Centre.
DOMOBAAL editions – 2008
ISBN 978-1-905957-03-3
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(traffic scarcely audible)
published for the exhibition of film and video, with text by Robert Dennis, Gil Leung and Lucy Pawlak (4 page A4).
DOMOBAAL editions – 2008

 

Ailbhe Ní Bhriain: 'The Trembing Image'
Ailbhe Ní Bhriain – The Trembling Image
an essay written by Jonathan Miles for Ailbhe Ní Bhriain's solo exhibition at domobaal (4 page A4).
DOMOBAAL editions – 2008

 

Oyster Grit (inside-image-plate)
Oyster Grit
published for a group exhibition at domobaal in September 2007 with an extended essay by Rebecca Geldard on Ailbhe Ní Bhriain, Daniel Gustav Cramer, Haris Epaminonda, Ansel Krut, Jeffrey TY Lee, Lucy Pawlak, Miho Sato and Mhairi Vari
A4, 8 pages with 6 colour images
DOMOBAAL editions – 2007
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'Daniel Gustav Cramer' an essay by Charles Darwent with 6 photographs from Trilogy
Daniel Gustav Cramer
published in association with the Goethe Institut, London
essay by Charles Darwent
A4, 12 pages with 6 colour images from Trilogy
DOMOBAAL editions – 2007
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'Miho Sato' mini leparello with 8 colour plates and an essay by Rebecca Geldard
Miho Sato
mini leparello
essay by Rebecca Geldard
8 colour plates, published for Miho Sato's second solo exhibition in March 2007
DOMOBAAL editions – 2007
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'The Blossoming of Perspective, a study by Penelope Haralambidou''
The Blossoming of Perspective, a study by Penelope Haralambidou
a response to Duchamp's call for the interpretation of 'Etants Donnés: 1.la chute d'eau, 2.le gaz d'éclairage…'
essays by Penelope Haralambidou, T.J. Demos, Jonathan Hill, Lorens Holm, Brigid McCleer
published to accompany the eponymous exhibition at domobaal in January 2007
DOMOBAAL editions – 2007
ISBN 1-905957-01-7/978-1-905957-01-9
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Ansel Krut 'Hotel Vinegar'
Ansel Krut – Hotel Vinegar
A Pocket Book for Ansel Krut's solo exhibition 'Hotel Vinegar' at domobaal in 2006 with an essay by Martin Herbert and a story by Miles Johnson
full colour with dust jacket
DOMOBAAL editions – 2006
ISBN 1 905957 00 9 / 978 1 905957 00 2
Shop: £15 (click on thumbnail)

 

Jeffrey TY Lee 'Broadsheet Newsprint Poster'
Jeffrey TY Lee
broadsheet newsprint poster
DOMOBAAL editions – 2006
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Daniel Gustav Cramer: 'Fickers of a Half World'
Flickers of a Half World – Underwater
the new photographs of Daniel Gustav Cramer
published by domobaal editions for Daniel Gustav Cramer's exhibition Underwater, Trilogy, Part 2
by Jonathan Miles
DOMOBAAL editions – 2006
ISBN 0-9544590-7-5

 

Jonathan Miles: 'Gesture Between Worlds: The Art of Haris Epaminonda'
Gesture Between Worlds
The Art of Haris Epaminonda
published by domobaal editions for Haris Epaminonda's first solo exhibition
by Jonathan Miles
DOMOBAAL editions – 2006
ISBN 0-9544590-9-1

 

Sharon Kivland 'La Forme–Valeur/The Value–Form'
Sharon Kivland – La Forme–Valeur/The Value–Form
La Forme–Valeur/The Value–Form is a sixteen–page book, following the exhibition of the same title at Galerie de Cloître, Rennes in 2005. The commodity from chapter 3 of Capital by Karl Marx, in both French and English translations, finds a voice as a woman, on a Chanel–pink ground. The edge of the cover is gilded, recalling the packaging of 'Allure'.
DOMOBAAL editions – 2006
ISBN 0-9544590-6-7
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Sharon Kivland: 'Mes Fils'
Sharon Kivland – Mes Fils
an artists book by Sharon Kivland published on the occasion of her solo exhibition 'Mes Fils' at domobaal in 2005
Designed by Sarah Backhouse
DOMOBAAL editions – 2005
ISBN 0-9544590-5-9
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Daniel Gustav Cramer: 'Woodland'
Daniel Gustav Cramer – Woodland
(supported by Kunststiftung NRW)
full colour with 17 images
DOMOBAAL editions – 2005
ISBN 0-9544590-4-0

 

Miho Sato 'Amnesia'
Miho Sato – Amnesia
mini leparello with an essay 'Ruination' by Jonathan Miles
full colour with 8 images, published for Miho Sato's first solo exhibition in June 2005
DOMOBAAL editions – 2004
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'Vapour – the Art of Daniel Gustav Cramer' by Jonathan Miles'
Vapour – the Art of Daniel Gustav Cramer
published for Daniel Gustav Cramer's first solo exhibition: 'Woodland' Part I of Trilogy
by Jonathan Miles
DOMOBAAL editions – 2004
ISBN 0-9544590-8-3

 

Ansel Krut 'It could be suicide…'
Ansel Krut – It could be suicide …
A tabloid newspaper published to accompany Ansel Krut's solo show at domobaal in 2004. 32 pages with 14 full–page, life–size colour images and a story 'The Two Bills' by Ansel Krut, designed by Haris Epaminonda, set and printed at Newsfax International, London.
DOMOBAAL editions – 2004
ISBN 0 9544590 3 2
Shop: £50 (click on thumbnail)

 

Sharon Kivland 'flair'
Sharon Kivland – flair
published on the occasion of the project of the same title at The Bartlett School of Architecture, University College, London. Twelve phrases run in a continuous line through the book. The phrases are in a pale rose/flesh pink – actually the colour of Chanel's packaging for their scent 'Allure' – and are descriptions of scents taken from the in–flight magazines distributed on airlines. Each has been altered every slightly so rather than describing a scent, they appear to be a woman describing herself – a vain, crazy woman, 'folle de son corps'. The title has two meaning: in English, it means the possession of a certain style or aplomb, while in French, it more usually means the faculty of discerning an odour or an aptitude for intuition or perspicacity.
DOMOBAAL editions – 2004
ISBN 0-9544590-3-2
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Jan Peters, Silke Schatz, Martina Schmid: 'Ausland'
Ausland
Jan Peters, Martina Schmid, Silke Schatz, with essays by Jane Rendell and Thomas Wulffen supported by Goethe Institut, London
DOMOBAAL editions – 2003
ISBN 0-9544590-1-6
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Lucy Harrison, Sharon Kivland & Nina Papconstantinou: 'A Reader'
A Reader
Lucy Harrison, Sharon Kivland & Nina Papaconstantinou, published on the occasion of the exhibition 'A Reader' at domobaal gallery in 2003.
A5, soft binding, 18 pages with 6 b&w images.
DOMOBAAL editions – 2003
ISBN 0-9544590-0-8
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DOMOBAAL PUBLICATIONS LIST/BY ARTIST/AND OTHER STOCK LISTED ALPHABETICALLY BY FIRST NAME

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. This list is arranged alphabetically by artist, and includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' buttons nor quoted price and all sold out items are kept in stock for viewing at the gallery.

 

AILBHE NÍ BHRIAIN

 

Ailbhe Ní Bhriain: 'Great Good Places' a four–volume chapbook, presented as as set, in a signed and numbered edition of 100 published to accompany the exhibition
Ailbhe Ní Bhriain – Great Good Places
A set of four A5 chapbooks, each with a bible–cloth soft–cover, of which three are black cloth and one from each set is a different dark hue, with a total of 34 video stills, presented in a glassine bag each copy being signed and numbered by the artist 34 video stills, in a signed and numbered edition of 100. Published to accompany Ailbhe Ní Bhriain's eponymous solo exhibition in 2011.
DOMOBAAL editions – 2011
ISBN 978 1 905957 10 1
Shop: £30 (click on thumbnail)

 

Darkness Visible
Darkness Visible
exhibition catalogue, curated and edited by Ann Mulrooney for the Galway Arts Festival 2008
Galway Arts Centre – 2008
ISBN 978 0 955912 61 0

 

AICA 'No Borders (Just News) *North, East, West, South'
No Borders (Just News) *North, East, West, South
catalogue for the exhibition curated and organised by the International Association of Art Critics (AICA) February 2008
AICA press – 2008
ISBN 2 9506768 6 3/978 2 9506768 6 3

 

Ailbhe Ní Bhriain 'The Trembing Image'
The Trembling Image
An essay written by Jonathan Miles for Ailbhe Ní Bhriain's solo exhibition at domobaal in 2007
DOMOBAAL editions – 2008

 

ANSEL KRUT

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' buttons nor quoted price and all sold out items are kept in stock for viewing at the gallery.

 

Ansel Krut 'Hotel Vinegar'
Ansel Krut – Hotel Vinegar
A Pocket Book for Ansel Krut's solo exhibition 'Hotel Vinegar' at domobaal in 2006 with an essay by Martin Herbert and a story by Miles Johnson
full colour with dust jacket
DOMOBAAL editions – 2006
ISBN 1 905957 00 9 / 978 1 905957 00 2
Shop: £15 (click on thumbnail)

 

Ansel Krut 'It could be suicide…'
Ansel Krut – It could be suicide …
A tabloid newspaper published to accompany Ansel Krut's solo show at domobaal in 2004. 32 pages with 14 full–page, life–size colour images and a story 'The Two Bills' by Ansel Krut, designed by Haris Epaminonda, set and printed at Newsfax International, London.
DOMOBAAL editions – 2004
ISBN 0 9544590 3 2
Shop: £50 (click on thumbnail)

 

Jemima Burrill, Ansel Krut, Walter Swennen 'Maybe a Duck … Maybe a Rabbit …'
Maybe a Duck … Maybe a Rabbit …
Published on the occasion of the exhibition Maybe a Duck … Maybe a Rabbit … a drawing exhibition at The Drawing Centre, Wimbledon College of Art from 9–14 September 2006. Jemima Burrill, Ansel Krut, Walter Swennen with an essay 'In Wittgenstein's Game' by Peter Suchin designed by Sarah Backhouse; 6 colour illustrations, 16 pages, softcover; printed by the Aldgate Press, London
The Centre for Drawing, Wimbledon School of Art – 2006
ISBN 0 948327 23 5
Shop: £8 (click on thumbnail)

 

'Just World Order' Artsway exhibition catalogue)'
Just world order
exhibition catalogue
exhibition curated and essay by Peter Bonnell
published by Artsway – 2008
ISBN 9780955840623
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Shadows '(Transmission: The Rules of Engagement 11)'
Shadows (Transmission: The Rules of Engagement 11)
What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester
Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm
Artwords Press – 2007
ISBN 9781906441029
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Interviews with artists by Nicholas James, Cv/VAR editions
Interviews with artists
Ansel Krut in conversation with Nicholas James, transcript included in a volume of collected artist interviews
Cv/VAR editions – 2010
ISBN 9780456520203

 

'Voo–Doo'
Voo–Doo and the Creative Spirit
Riflemaker – 2009
ISBN 9780955572872

 

'Precious Things'
Precious Things
exhibition catalogue
exhibition curated by Graham Crowley
Highlanes Gallery, Drogheda, Ireland – 2008
ISBN 0955431166/9780955431166

 

Project Space – Notes: 'Ghost of a Flea' by Ansel Krut
Ansel Krut – Ghost of A Flea
Project Space – Notes, essay by Ed Krcma
Designed by Sarah Backhouse
The Drawing Centre, Wimbledon School of Art – 2006
ISBN 9780955664618

 

'1001 Paintings You Must See Before You Die'
1001 Paintings You Must See Before You Die
edited by Stephen Farthing
Cassell Illustrated – 2006
ISBN 9781844035632

 

'Art on Paper 2006'
Art on Paper 2006
catalogue, text by Xandra Eden
Weatherspoon Art Museum, North Carolina, USA

 

'World Gone Mad – Surrealist Returns in Recent British Art'
World Gone Mad – Surrealist Returns in Recent British Art
Catalogue for the exhibition curated by Bob Matthews, essays by JJ Charlesworth, Sally O'Reilly, Dr Johanna Malt
Castlefield Gallery Publications – 2006
ISBN 0952178052

 

'The Drawing Book'
The Drawing Book
A survey of drawing: the primary means of expression
Black Dog Publishing – 2006, hardback
Edited by Tania Kovats
Authors: Charles Darwent, Kate Macfarlane and Katharine Stout
ISBN 1904772331

 

CHRISTOPHER HANLON

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' button, nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery.

 

'Because You Stood Still' Paul Feigelfeld on Christopher Hanlon, a domobaal editions pocket book
Christopher Hanlon: Because You Stood Still by Paul Feigelfeld
Pocket book, published for Christopher Hanlon's first solo exhibition 'Because You Stood Still' in February 2009.
DOMOBAAL editions – 2009
ISBN 9781905957057
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CLAUDIA SARNTHEIN

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Claudia Sarnthein 'On Fragments'
On Fragments
Artist's book, text, with 1 signed print, soft cover, edition 8, 24×18cm, 2004, London.
In On Fragments Sarnthein assembles an often revelatory series of quotations from European artists, philosophers and poets into an argument around the multi–faceted nature of the fragmentary that moves far beyond purely aesthetic investigation into something of much wider application. The question she asks is how an engaged understanding of the 'incomplete', an accurate incarnation of the passage of life, might help us to survive, endure and thrive. While the form might suggest the aphoristic compendia of fellow continentals Cioran and Canetti, this collage is humanised by its inclusivity and anchored by a richly personal threaded narrative that suggests Sarnthein has learnt such lessons very much at first hand. Gareth Evans, Time Out, London 2005.
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Claudia Sarnthein 'Mutter Seelen Allein'
Mutter Seelen Allein
Artist's book with 26 drawings, clothbound/hardback A3, presented in a cloth–covered slip–case, edition 6 – 2005.
The sense of the partial, and its complexity, also suffuses the exquisite drawings of Mutter Seelen Allein, a large–format publication of 26 images, very finely executed, and influenced by the likes of Eva Hesse (…). At once anti–realist, deeply felt and emotionally resonant, they are, in the artist's own words, 'in search of a pictorial incident, where something is just appearing or about to disappear: something which is coming into being against the void or leaving a void behind. I am asking how much is necessary to be nascent or to remain'. An urgent question in these difficult times, and one that is profoundly elaborated in Sarnthein's beautiful realised work. Gareth Evans, Time Out, London 2005.
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DANIEL GUSTAV CRAMER

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery.

 

Shadows '(Transmission: The Rules of Engagement 11)'
Shadows (Transmission: The Rules of Engagement 11)
What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester
Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm
Artwords Press – 2007
ISBN 1906441022/9781906441029
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'Daniel Gustav Cramer' an essay by Charles Darwent with 6 photographs from Trilogy'
Daniel Gustav Cramer
published in association with the Goethe Institut, London
essay by Charles Darwent
A4, 12 pages with 6 colour images from Trilogy
DOMOBAAL editions – 2007
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'New Light, The Jerwood Photography Awards'
New Light: Jerwood Photography Awards
Hardback catalogue, 140 pages.
Published by Portfolio Magazine, celebrating 5 years of the Jerwood Photography Awards, 2003 – 2008.
ISBN 9780914060840 – 2009

 

'Daniel Gustav Cramer Untitled (Mother)'
Untitled (Mother)
A handmade, clothbound artist's book of blank pages – with the exception of a single line placed towards the centre of the book; dimensions: 12.5×18×1.8cm Letterpress.
Edition 7 – 2003 (signed by the artist)

 

Garten Eden (catalogue) Der Garten in der Kunst seit 1900'
Garten Eden – Der Garten in der Kunst seit 1900
Hardback catalogue, published by Kunsthalle Emden, Germany. 306 pages, 220 colour images, 6 essays.
Kunsthalle Emden – 2007

 

'Undo Nr. 1/2007 Journal'
Undo Nr.1/2007 Journal
Alexander García Düttmann, Christos Hadjiyannis, Jonathan Miles, Hala Auji, Demetris Taliotis, Haris Epaminonda, Alessandra Swiny, Daniel Gustav Cramer, Haris Pelapaisiotis, Ian Kiaer.
Published by the Undo Foundation, Nicosia, Cyprus, Greece.

 

Daniel Gustav Cramer: Naturalis 1
Naturalis 1
A3 30 pages, full colour
Commissioned by GF Smith, designed by SEA 2006

 

Daniel Gustav Cramer: 'Fickers of a Half World'
Flickers of a Half World: Underwater,
the new photographs of Daniel Gustav Cramer
published by domobaal editions for Daniel Gustav Cramer's exhibition Trilogy, Part 2
by Jonathan Miles
DOMOBAAL editions – 2006
ISBN 0954459075

 

Daniel Gustav Cramer: 'Woodland'
Woodland
published for Daniel Gustav Cramer's first solo exhibition at domobaal gallery supported by Kunststiftung NRW and Buro Fur Fotos/van der Grinten Galerie, Cologne
full colour with 17 images
DOMOBAAL editions – 2005
ISBN 0954459067

 

'Vapour – the Art of Daniel Gustav Cramer' by Jonathan Miles'
Vapour – the Art of Daniel Gustav Cramer
published for Daniel Gustav Cramer's first solo exhibition 'Woodland' Part I of Trilogy
by Jonathan Miles
DOMOBAAL editions – 2004
ISBN 0954459040

 

DAVID GATES

 

'Signature' by David Gates and Andrew Curtis, 2013
Signature
A scored, unfolded, double–sided editioned lithograph limited to 74 copies by David Gates and Andrew Curtis, continuing a long–standing collaboration between the two artists. Printed at the Curwen Studio, Cambridgeshire in offset litho, each print is stamped by The Rural College of Art and numbered by hand – 2013
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HARIS EPAMINONDA

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery.

 

'Old Earth, No More Lies, I've Seen You…' (Cyprus Pavilion at the 52nd Venice Biennale catalogue)'
Old Earth, No More Lies, I've Seen You…
Haris Epaminonda, Mustafa Hulusi
Cyprus at The 52nd Venice Biennal exhibition catalogue, essays by Brian Dillon, Sotiris Kyriacou, Denise Robinson, Jalal Toufic, Cyprus Ministry of Education and Culture – 2007
ISBN 9781874044659
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Beyond Sensation
Art of the last Ten Years
exhibition catalogue, essay by Alistair Hicks
Deutsche Bank – 2007
ISBN 978398193292

 

Shadows (Transmission: The Rules of Engagement 11)
Shadows (Transmission: The Rules of Engagement 11)
What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester
Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm
Artwords Press – 2007
ISBN 9781906441029
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'East International catalogue, 2006'
East International catalogue 2006
ISBN 1872482805
collection/postage options

 

The Kaleidoscopic Eye'
The Kaleidoscopic Eye: Thyssen–Bornemisza Art Contemporary Collection
Exhibition Catalogue from the exhibition at the Mori Art Museum, Tokyo
Harback, 140 pages, published by Mori Art Museum.
ISBN 9784902819236

 

'Fare Una Scenata' by Jörg Heiser'
Fare Una Scenata/Making A Scene
Exhibition Catalogue from the exhibition at Fondazione Morra Greco, Naples, Italy, curated by Jörg Heiser.
Soft cover, 100 pages, published by Sternberg Press, Berlin, June 2009.
ISBN 9781933128757

 

'Past–Forward by Vincent Honoré'
Past–Forward
Publication for the exhibition Past–Forward at 176 Projects, London, curated by Vincent Honoré; with contributions from Andrew Hunt, Michael Ned Holte, Ilsa Colsell, Raimundas Malasauskas and Ben Borthwick. Numbered edition of 1,000. Designed by äbäke.

 

'When Things cast No Shadow: 5th Berlin Biennale, catalogue'
When things cast no shadow: 5th Berlin Biennale, catalogue
Soft cover, 592 pages, published by KW Institute for Contemporary Art, Berlin, and JRP Ringier.
ISBN 9783905829587

 

'Undo Nr. 1/2007 Journal'
Undo Nr.1/2007 Journal
Alexander García Düttmann, Christos Hadjiyannis, Jonathan Miles, Hala Auji, Demetris Taliotis, Haris Epaminonda, Alessandra Swiny, Daniel Gustav Cramer, Haris Pelapaisiotis, Ian Kiaer.
Published by the Undo Foundation, Nicosia, Cyprus, Greece.

 

'Fractured Figure, Works from the Dakis Joannou Collection'
Fractured Figure, Works from the Dakis Joannou Collection
Works from the Dakis Joannou Collection Athens, September 5, 2007 – July 31, 2008
Text by Jeffrey Deitch, Book Edited & designed by Urs Fischer with Cassandra MacLeod, Book Design by Scipio Schneider, 216 pages.
Published by the Deste Foundation Centre for Contemporary Art, Athens, Greece.
ISBN 9780977868674

 

Jonathan Miles: 'Gesture Between Worlds: The Art of Haris Epaminonda'
Gesture Between Worlds
The Art of Haris Epaminonda
published by domobaal editions for Haris Epaminonda's first solo exhibition
DOMOBAAL editions – 2006
ISBN 0954459091

 

JEFFREY TY LEE

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Jeffrey TY Lee and Terue Yamauchi – The Builder
Jeffrey TY Lee and Terue Yamauchi – The Builder
A B5 blueprint publication of eight single folded blueprints 50×35cm, stapled; the cover is a single bluprint image, folded in four, unbound and finished with a dust jacket of tracing paper; blueprint plates printed in Japan by Fukuoka Blueprint Co Ltd, edition 100, September 2011, each copy is numbered and signed by the artists.
DOMOBAAL editions – 2011
ISBN 978 1 905957 12 5
Shop: £45 (click on thumbnail)

 

Jeffrey TY Lee 'Broadsheet Newsprint Poster'
Jeffrey TY Lee
Broadsheet newsprint poster, printed by Newsfax for Jeffrey TY Lee's solo exhibition in 2006
DOMOBAAL editions – 2006
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JOHN STRUTTON

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Arthur Brick – Songs Vol 1 – Special Edition with Original Drawings
Arthur Brick – Songs Vol 1 – Special Edition with Original Drawings
Lyrics to 11 Arthur Brick songs printed on watercolour paper with 11 hand–painted colour watercolours by John Strutton, EP/CD of songs included.
September 2009
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John Strutton's Fylthye Fome Vol 1'
Fylthye Fome Vol 1 – Your Void or Mine
18 pages of words and images in black & white, including a selection of Morning Drawings by John Strutton.
September 2009
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Arthur Brick 'Original Swiss Wedding, with a unique painting on each sleeve by John Strutton (shuttlecock)'
Arthur Brick – Original Swiss Wedding
EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images)
2009
paypal payment/collection/postage options

 

Arthur Brick 'Original Swiss Wedding, with a unique painting on each sleeve by John Strutton'
Arthur Brick – Original Swiss Wedding
EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images)
2009
paypal payment/collection/postage options

 

Arthur Brick: 'Original Swiss Wedding, with a unique painting on each sleeve by John Strutton'
Arthur Brick – Original Swiss Wedding
EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images)
2009
paypal payment/collection/postage options

 

Arthur Brick: 'Original Swiss Wedding, with a unique painting on each sleeve by John Strutton'
Arthur Brick – Original Swiss Wedding
EP/CD – 2009 with a unique watercolour painting on each sleeve
(please email for a further selection of images)
2009
paypal payment/collection/postage options

 

Arthur Brick: 'Original Swiss Wedding, with a unique painting on each sleeve by John Strutton'
Arthur Brick – Original Swiss Wedding
EP/CD – 2009 (with Free Beermat)
paypal payment/collection/postage options

 

Arthur Brick: 'Original Swiss Wedding, the badge
Arthur Brick/Original Swiss Wedding – badge
September 2009 (with Free Beermat)
paypal payment/collection/postage options

 

John Strutton: 'Donderslag (1654) Badge'
Donderslag (1654) – badge
March 2009 (with Free Beermat)
paypal payment/collection/postage options

 

John Strutton: 'Donderslag Pamphlet'
Donderslag – Pamphlet
March 2009 (with Free Beermat)
paypal payment/collection/postage options

 

Arthur Brick: 'Brown'
Arthur Brick – Brown
Debut Album on CD – 2008 (with Free Beermat)
paypal payment/collection/postage options

 

LARA VIANA

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery.

 

Lara Viana by Rebecca Geldard, a domobaal editions pocket book
Lara Viana
Pocket Book with an essay by Rebecca Geldard for Lara Viana's solo exhibition in January 2010, includes a signed, editioned print on archival paper of 'Untitled (shift)' by Lara Viana, edition 100.
DOMOBAAL editions – 2010
ISBN 9781905957071
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Ruins, published on the occasion of Lara Viana's solo exhibtion at The Regency Town House, Brighton, text by Laura McLean–Ferris 2011
Ruins
Published on the occasion of Lara Viana's solo exhibtion at The Regency Town House, Brighton, text by Laura McLean–Ferris 2011
6 colour plates, tipped–in, edition: 50
Permanent Gallery, Brighton – 2011

 

LEE EDWARDS

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'Lee Edwards 'How to disappear completely' a domobaal editions pocket book
Lee Edwards – How to disappear completely
A domobaal editions pocket book, unbleached Kraft board front cover, gatefold, A6, 14 folded pages with ten tipped–in colour plates of miniature portraits reproduced life–size, by Lee Edwards on found pieces of wood, text by Iphgenia Baal, published for Lee Edwards eponymous exhibition in May 2011, edition: 100 copies, each signed and numbered by the artist.
DOMOBAAL editions – 2011
ISBN 9781905957088
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'Lee Edwards and Neill Kidgell – Newlife
Lee Edwards and Neill Kidgell – Newlife
An artists book of sixteen collages by Neill Kidgell made from photographs of public and domestic spaces in London taken by Lee Edwards, A5, edition 100.
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LOTHAR GÖTZ

 

Abstract Drawing
Abstract Drawing
Pulshed by Ridinghouse 2014 in association with Drawing Room, London, bringing together artists from different generations and parts of the world, this volume explores the complexities of 'abstraction' in contemporary drawing. Accompanying an exhibition at Drawing Room, London (20 February–19 April 2014), curated by British artist Richard Deacon, this volume features works that employ various strands of abstract drawing. This well–illustrated catalogue includes works by internationally renowned artists – from David Batchelor and Eva Hesse to Jackson Pollock and Alison Wilding. Texts by Dawn Ades, Richard Deacon and Anna Lovatt interrogate the convergences and divergences inherent within abstract drawing. 27×22.5 cm/10 5/8× 8 7/8in, Softback, 128 pp, 75 colour ill
Ridinghouse – 2014
ISBN 978 1 905464 83 8
Shop: £17.75
available directly from the Drawing Room
click on the image above
Lothar Götz, Works – 2011
Lothar Götz, Works – 2011
Published by Hatje Cantz, edited by Oliver Zybok with texts by Christoph Asendorf, Hans Günter Golinski, Rob Wilson and Oliver Zybok, graphic design by Frank Mueller, German/English, 232 pages, 220 colour illustrations, 17.20×24.00cm hardcover
Hatje Cantz – 2011
ISBN 978 3 7757 3002 0
Shop: £35 / €39.80
available directly fromm Hatje Cantz
click on the image above

 

LUCY PAWLAK

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' buttons nor quoted price and all sold out items are kept in stock for viewing at the gallery.

 

Lucy Pawlak's 'The Story of My Art' by Bearded Man
The Story of My Art by Bearded Man
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Lucy Pawlak's 'A Children's Story About A Monkey Who Dies'
A Children's Story About A Monkey Who Dies
A Lucy Pawlak Films publication
soft binding, 40 pages with 25 b&w illustrations – 2009
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Lucy Pawlak's 'Sexist Rhymes by Bearded Man'
Sexist Rhymes by Bearded Man
A Bearded Man/Lucy Pawlak Films publication
Hand–Coloured Rhymes – 2009
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Lucy Pawlak's 'The Period – Snow Day'
The Period – Snow Day
A Bearded Man/Lucy Pawlak Films publication
A Comic in Full Colour – 2009
paypal payment/collection/postage options

 

Lucy Pawlak's 'The Dark Ages – Making An Exhibition (Yet Another Vision Of The Future)' by Bearded Man
The Dark Ages – Making An Exhibition (Yet Another Vision Of The Future)
A Bearded Man/Lucy Pawlak Films publication
A Comic in Full Colour – 2009
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Lucy Pawlak's 'The Dark Ages – On Saving (Yet Another Vision Of The Future)' by Bearded Man
The Dark Ages – On Saving (Yet Another Vision Of The Future)
A Bearded Man/Lucy Pawlak Films publication
A Comic in Full Colour – 2009
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Bearded Man 'Publicity Shot'
Publicity Shots
A Selection of Unique Signed Photographs of Bearded Man, Elderly Lady, Old Gent and Naked Woman (above: Bearded–Man Publicity Shot)
Each: Unique, Signed, 2007

 

Bearded Man 'Special Features, The Director's Commentary on The Making of Samsonov'
Special Features, The Director's Commentary on The Making of Samsonov
A Bearded Man/Lucy Pawlak Films publication
DVD 10’00 min – 2007
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Paul Klee Zenrtum/Sommerakademie 2008 'dragged down into the lower case'
Sommerakademie 2008 im Zentrum Paul Klee
dragged down into lowercase
Clementine Deliss & Oscar Tuazon and others
Zenrum Paul Klee – 2008
ISBN 9783952332405

 

MARCEL DINAHET

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Marcel Dinahet 1990–2010
Marcel Dinahet 1990–2010
Monograph on the work of Marcel Dinahet, 303 pages in full colour with essays by Jean–Marc Huitorel, Gilles A. Tiberghien, Dominique Abensour, Larys Frogier, Louise O'Hare
Editions Lienart – 2011
ISBN 9782359060393

 

Marcel Dinahet 'Ouessant'
Ouessant
Publication to mark Marcel Dinahet's residency on the island of Ouessant in 2008.
Essay in French and English by Celia Crétien.
Association Finis Terrae – 2008

 

'Marcel Dinahet: Les Flottaisons'
Les Flottaisons
Catalogue for the exhibition 'Les Flottaisons' at Centre d'art Le grand café à Saint–Nazaire, France.
Essay in French and English by Sophie Legrandjacques.
published by Centre d'art Le grand café à Saint–Nazaire, France, supported by FRAC Bretagne – 2000
ISBN 291361700

 

'Périples/Travelling' on Marcel Dinahet
Périples/Travelling
Catalogue with essays in English and French by Dominique Abensour, Jean-Marc Huitorel, Pascale Risterucci.
Centre d'art Le Quartier à Quimper – 2001
ISBN 2908939339

 

MARTINA SCHMID

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Martina Schmid 'Landed'
Landed
artist's book – 2002
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Martina Schmid 'Thirteen collected lands'
Thirteen collected lands
artist's book – 2001 published for Martina Schmid's solo exhibition 'Land or Reason' at domobaal gallery in February 2001.
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Jan Peters, Silke Schatz, Martina Schmid: 'Ausland'
Ausland
Jan Peters, Martina Schmid, Silke Schatz, with essays by Jane Rendell and Thomas Wulffen supported by Goethe Institut, London
DOMOBAAL editions – 2003
ISBN 0954459016
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MIHO SATO

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'Miho Sato' 8 colour plates with an essay by Rebecca Geldard
Miho Sato
mini leparello
essay by Rebecca Geldard
with 8 colour plates, published for Miho Sato's second solo exhibition at domobaal gallery in February 2007
DOMOBAAL editions – 2007
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Miho Sato 'Amnesia'
Amnesia
mini leparello
essay 'Ruination' by Jonathan Miles
full colour with 8 images, published for Miho Sato's first solo exhibition at domobaal gallery in June 2005
DOMOBAAL editions – 2004
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PENELOPE HARALAMBIDOU

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'The Blossoming of Perspective, a study by Penelope Haralambidou''
The Blossoming of Perspective, a study by Penelope Haralambidou
a response to Duchamp's call for the interpretation of 'Etants Donnés: 1.la chute d'eau, 2.le gaz d'éclairage…'
essays by Penelope Haralambidou, T.J. Demos, Jonathan Hill, Lorens Holm, Brigid McCleer
published to accompany the eponymous exhibition, at domobaal in January 2007
DOMOBAAL editions – 2007
ISBN 1905957017/9781905957019
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RACHEL ADAMS

 

Rachel Adams – drawnthread
Rachel Adams – drawnthread
A magazine (B5 and in full colour) hand–sewn binding with soft fabric cover with binding needle anchored in the cover, edition 100, each numbered and signed by the artist, September 2011.
DOMOBAAL editions – 2011
ISBN 978 1 905957 13 2
Shop: £30 (click on thumbnail)

 

RON HASELDEN

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Ron Haselden – Papillon de la Nuit
Ron Haselden – Papillon de la Nuit
An annotated diary written by Matthew Reeves, working alongside Ron Haselden, of the construction of Ron Haselden's most ambitious and largest cord sculpture to date built in the grounds of Manoir des Guèrandes, Plouër–sur–Rance in Brittany, France in April 2013.
28 pages, 16 colour photographs, one of which is included as a full–bleed scored and folded A4 loose insert.
DOMOBAAL editions – 2014
ISBN 978 1 905957 53 8
Shop: £14.50 (click on thumbnail)

 

Ron Haselden 'A Series of Postcards/Une Serie de Cartes Postales'
A Series of Postcards/Une Serie de Cartes Postales
An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images, or to purchase more than one postcard.
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Ron Haselden 'A Series of Postcards/Une Serie de Cartes Postales'
A Series of Postcards/Une Serie de Cartes Postales
An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images, or to purchase more than one postcard.
paypal payment/collection/postage options

 

 

Ron Haselden 'A Series of Postcards/Une Serie de Cartes Postales'
A Series of Postcards/Une Serie de Cartes Postales
An ongoing publication series in the form of a Postcard, each: digital print on archival paper, 14.71×10.68cm (approx), editon 100, each postcard is numbered and signed by the artist. Editions numbered 1–10 are only available as a complete boxed set. Click here to email for the full series of images.
paypal payment/collection/postage options

 

Dr Timothy Martin on Ron Haselden 'In the Asking'
In the Asking
an extended essay by Dr Timothy Martin (4 pages A4 with image sheet insert) written for Ron Haselden's second solo exhibition at domobaal and his exhibition at the Camden Arts Centre.
DOMOBAAL editions – 2008
ISBN 9781905957033
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ROXY WALSH

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Roxy Walsh 'Felix Culpa'
Felix Culpa
Exhibition catalogue, published for Roxy Walsh's solo exhibition at domobaal gallery in June 2006, includes essays by Dale McFarland, Adrian Rifkin, Sharon Kivland and Simon O'Sullivan.
ARTicle Press – 2006
ISBN 1873352549
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SHARON KIVLAND

Items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holiday periods this time may be extended, all placed orders will advised or confirmed accordingly. The list includes a selection of artists books, editioned multiples, selected luxuries, badges, bags, posters, beermats and other essential sundries. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery. Should customers be averse to using PayPal, please contact the gallery directly and an alternative arrangement can be made.

 

Sharon Kivland – Freud on Holiday Volume IV – A Cavernous Defile – Part I – 2014
Sharon Kivland – Freud on Holiday Volume IV
A Cavernous Defile – Part I
Sharon Kivland invites us to go on Holiday, with Freud: up mountains, we walk; through streets, along the lake. We pick mushrooms. We go on adventures. Sometimes, we lose our way home. We digress. Interweaving meticulous historical research, Kivland's own retracing of Freud's steps and ger personal memories, this is a creative reimagining not just of Freud on Holiday, but of the nature of biography itself. Poignant, evocative, passionate – this is a dream of a book. Steve Pile, The Open University, UK
The relaxed tone of the Freud on Holiday series smuggles in an unsuspected intensity that is difficult to get at without losing one's cool, overdoing it or otherwise dropping the pretence of reception, recognition, assimilation {…} I'm talking about the desire these books prompt in me for an experience of departure, perhaps one of those 'little precipitates of language' that happened to Derrida when he was on the move. Sarah Wood, Oxford Literary Review, UK
CUBEARTEDITIONS – 2014
ISBN 978 618 80384 7 9
Shop: £18.50 (click on thumbnail)
Sharon Kivland – The Unachieved – 2014
Sharon Kivland – The Unachieved
Anything can be possessed, invested in, or, in terms of collecting, arranged, sorted, and classified. Jean Baudrillard
This is a book of failed collections. Herein are postcards, the taxonomy of which I have already determined, filing each image under a provisional title according to the set of properties I believe it might share with others yet to be found (the title is retained and indicated in the table of contents that follows), but which to date have not been accrued in sufficient quantity (often – indeed, usually – there is only one) to constitute a proper collection according to my stern, rigorous, and (I must admit) internalised rules. Some postcards may find a place in another collection at a later time, of course, then requiring a new name, a new label on the dossier (it is true to say that frequently I reclassify; my collections are seldom fixed in any permanently satisfactory manner), while others may be destined to remain singular. This is strangely comforting.
Ma Bibliotèque – 2014, edition: 25
ISBN 978 1 910055 02 1
Shop: £10 (click on thumbnail)
Sharon Kivland – Nana vit sa vie – 2014
Sharon Kivland – Nana vit sa vie
A woman dances … she wonders if she is happy
A description of Nana's dance performed by Anna Karina from 'Vivre sa vie' (1962) by Jean–Luc Godard, observed, remembered, and on occasion, danced, by Sharon Kivland, to the accompaniment of 'Swing Swing Swing' by Michel Legrand
Ma Bibliotèque – 2014, edition: 50
ISBN 978 1 910055 01 4
Shop: £5 (click on thumbnail)
Sharon Kivland – Madame Bovary – 2013
Sharon Kivland – Madame Bovary
From 'The Nabokov Paper' an invitation from Kate Briggs to reactivate the examination conditions at Cornell University, in which participants were invited to select and respond to one of Vladimir Nabokov's questions on seven major literary works. Madame Bovary by Gustave Flaubert (1856): Describe Emma's eyes, hands, skin, sunshade, hairdo, dress, shoes, paying particular attention to and correcting any blunders in the translation.
Edition of twenty softback and five hardback, 126×196mm, 24 pages, full colour illustrations. The softback version is terribly cheap, only £4.99. The hardback is terribly expensive, £99.99, but utterly fabulous, with gold blocking, red endpapers. It is, one might say, the difference between Emma alive and Emma dead.
Ma Bibliotèque – 2013
ISBN 978 1 910005 00 7
Shop: £4.99 (click on thumbnail)

 

Sharon Kivland – Jeux de Lignes – domobaal editions 2013
Sharon Kivland – Jeux de Lignes
The notes on corsets, girdles, and brassieres from a French lingerie journal of the 1950s are translated in a rather literal fashion. There are no illustrations save for a drawing at the beginning – – a short girdle with a waistband under a tweed dress – – and one at the end – – a supple corset allows a décolleté for a cocktail dress – – for I am sure my reader has a playful imagination and will embellish the words with ease.
Edition of 50, 20×13cm, stapled, black and white with two hand–coloured tipped in photographic illustrations
DOMOBAAL editions – 2013
ISBN 987 1 905957 38 5
Shop: £25 (click on thumbnail)

 

Reproductions III: Sharon Kivland – 12 Part Subscription Package – domobaal editions 2013
Reproductions III Du Monde/Of the World
Sharon Kivland – 12 Part Subscription Package
Domo Baal and Sharon Kivland are delighted to present a new subscription series, following the success of Reproductions I in 2012 (with many satisfied customers). It is subtitled Du Monde/Of the World, and if you will forgive a perhaps grandiose notion, the artist has been thinking about Maurice Merleau–Ponty's account of vision and visibility (that we are looked at, in the spectacle of the world), and Jacques Lacan's commentary thereon (that the world is not exhibitionistic, it does not provoke our gaze, but when it does, the feeling of strangeness begins). But enough of that!

There are thirteen books in the series limited to an edition of 50 each. Each book of between 16 and 36 pages, draws on the artist's collections of postcards, magazines, cuttings, and other printed ephemera, in another attempt to organise, catalogue, and archive. There is little text, apart from the title and usual colophon material. The books are black and white, printed on an ivory 120gsm Munken paper, stapled with a square spine, each: 19cm by 15cm.

Laura Gonzalez writes: "I wanted to tell you how much of a satisfied customer of your subscription I am. 'Amants du Monde' is extraordinary, moving, and rather uncanny in the fixity of the images. I cannot help but wonder what happened to them. The book becomes a kind of verb, rather than a noun, if you see what I mean."

Stephen Cornell writes: "Just a quick email to let you now how much I am enjoying the new series of books. I'm not sure what it is about the format but the size is really bringing something, it reminds me of books from my childhood but I can't recall the details yet. The warning about the last image in the most recent book was much appreciated but still didn't prepare me for what I saw. Truly disturbing. The giving of eggs appeared to be fairly niche as a subject for cards, however, I am now left with the impression that you have hardly scratched the surface. Perhaps there is a whole category devoted solely to that sinister man from the last page? Keep them coming. Thank you."

Jamie Crewe writes: "The new books are delightful – I love the blue covers, and the size, and the binding, and the quality of the printing. Strangely enough, I think my favourite images in the new one are those of smart young men holding the giant papier maché eggs – I know it's probably related to Easter, but my brain won't allow me to understand why they are posing with them, or why they're giant, so it's romantic and baffling."

Rachel Garfield writes: "I'm enjoying the books more and more. I thought the egg one was great but the men with flowers is even funnier – and sad. I haven't quite put my finger on what it is about them yet, but somehow bound up with this – the nostalgia is subverted through humour and the ridiculousness is subverted through the everyday norm."

Vivien Ashley writes: "There is much to savour in the recent offerings, in particular two legless urbanites dressed for a rural walk. I also love the dancers – the man reminds me of Francois Hollande and his partner clearly had a walk on part in an early Bond film."

Nina Papaconstantinou writes: "Thank you so much for Rosiéristes du Monde and Arrangements Floraux du Monde – I love this series! And it is very interesting how as it develops it gives a more complete picture of what the world is to the author."

Vivien Ashley writes: "Arrangements du Floraux du Monde has given me much delight – I particularly liked the one in the silver teapot. I used to have an annual entry in the novelty section of the Spratton Womens' Institute Flower Show with an artful arrangement in a yellow tea pot. I always received First Prize. But as for fluffy Moggies du Monde – now we're talking. An anxious lot of pussies though, except for a couple of cheery ones towards the end. Why do we like them looking as if they fear being taken off to the nearest rain butt?"

Stephen Cornell writes: "These floral arrangements have had a rather different effect. It's the first time in the series that I have felt that they were all French. You have mentioned that your collection is principally French but I have never been so keenly aware of it. That said, it has made the 'of the world' come into sharper focus as I imagine these collections for every nation."

Laura Gonzales writes: "Chats du Monde was creepy in the best possible way. Anthropomorphic and full of projective desire. It read to me like a sci–fi book and I loved it."

Maria White writes: "I am enjoying the series. I particularly like Femmes du Monde. And who could not enjoy Chats du Monde – terrifying in their cuteness or positively demonic (second to last) – and what is that cat going to do the puppy in the final image?!"

James Hellings writes: "A charming series of mini–archives made up of found images of lost moments. I will miss these moments, and the regularity of their arrival – how often in life may one expect a surprise? My personal favourite, and this to give everything away, is Amants du Monde. The men wear more make–up than the women. There is one image, in particular, that holds my eye. A heavily made–up man sits or lays entirely passively as a woman holds his throat (tenderly?), perhaps she is about to kiss his heavily rouged lips. It is an image which speaks a thousand words I do not know, in a foreign tongue, which I would like translated. Perhaps, Enfants du Monde and Arbres du Monde and Chats du Monde come out of it best; with the most humanity, the most élan, spirit or life. The rest seem like shop dummies, their gaze is fixed, still, expectant yet dead. They unsettle me, these images and archives of the past. The subjects are staged. It is as if they have actually become props for the photographer or become the costumes they wear. They have become objects, wooden and artificial. I am happiest when mistaking philosophers for barmen, and will happily confirm that 'they too address the question of existence'."

The complete series is now offered neatly and attractively housed in a handsome bespoke slipcase, made by Book Works Studio in London. Titles are as set out below.

DOMOBAAL editions – 2013

Reproductions III Vol.I Femmes du Monde ISBN 978-1-905957-30-9
(For a woman of the world is sophisticated, experienced in the ways and manners of society)

Reproductions III Vol.II Amants du Monde ISBN 978-1-905957-32-3
(Si nous parlions un peu de l'amour – sujet à la mode toujours)

Reproductions III Vol.III Œufs du Monde ISBN 978-1-905957-33-0
(On ne fait pas d'omelette sans casser des œufs)

Reproductions III Vol.IV Hommes du Monde ISBN 978-1-905957-34-7
(L'homme du monde se distingue du commun des mortels par sa parfaite éducation, son élégance et ses talents de société – ou, tout au contraire, par son ambition, son extravagance et son charisme naturel)

Reproductions III Vol.V Enfants du Monde ISBN 978-1-905957-34-7
(L'enfance a des manières de voir, de penser, de sentir qui lui sont propres; rien n'est moins sensé que d'y vouloir substituer les nôtres)

Reproductions III Vol.VI Arbres du Monde ISBN 978-1-905957-36-1
(Quand un arbre tombe, on l'entend, quand la forêt pousse, pas un bruit)

Reproductions III Vol.VII Danseurs du Monde ISBN 978-1-905957-37-8
(Quand tu veux danser, vois à qui tu donnes la main)

Reproductions III Vol.VIII Rosiéristes du Monde ISBN 978-1-905957-39-2
(De mémoire de rose, il n'y a qu'un jardinier au monde)

Reproductions III Vol.IX Arrangements Floraux du Monde ISBN 978-1-905957-40-8
(Le cœur le plus sensible à la beauté des fleurs est toujours le premier blessé par les épines)

Reproductions III Vol.X Chats du Monde ISBN 978-1-905957-41-5
(Il faut appeler un chat un chat)

Reproductions III Vol.XI Philosophes du Monde ISBN 978-1-905957-42-2
(Se moquer de la philosophie, c'est vraiment philosopher)

Reproductions III Vol.XII Poissons du Monde ISBN 978-1-905957-43-9
(Il n'y a pas de poisson sans arête)

Reproductions III Vol.XIII Femmes du Monde (encore) ISBN 978-1-905957-44-6
(La femme n'existe pas)

Shop: £185 – This offer ends 30 June 2014 (click on thumbnail above)

 

Sharon Kivland – Le Style Louis XVI – domobaal editions 2013
Sharon Kivland – Le Style Louis XVI
A small catalogue of Louis XVI furniture, which makes a rapport between style and revolution, furniture and its naming, femininity and the neo–classical. The ambience is welcoming, despite its sobriety and a whiff of the Terror. The book is published in a edition of 50 copies at the kind invitation of AM Bruno on the occasion of the 16th International Contemporary Artists' Book Fair, Leeds.
17×10.5cm, stapled, this sixteen-page book contains six duo–tone photographic plates, tipped–in by hand
DOMOBAAL editions – 2013
ISBN 987-1-905957-31-6
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Sharon Kivland 'Reproductions II'
Sharon Kivland – Reproductions II
A publication in two volumes, bound together to accompany Sharon Kivland's eponymous exhibition, by Jan Campbell and Steve Pile. Dr Jan Campbell is a Reader in English Literature and Psychoanalysis in the Department of English at the University of Birmingham. Jan Campbell has also worked clinically for thirteen years as a psychoanalyst, as well as writing widely on psychoanalysis in relation to feminism, queer theory, autobiography, social and cultural theory, literature, and film. Her most recent book is on the telepathic movement of a maternal form, which she argues is the necessary transferential sublimation of the repressed 'Freudian Passions: Psychoanalysis, Form and Literature' published by Karnac in the Spring of 2013. Professor Steve Pile teaches Geography in the Faculty of Social Sciences at The Open University. He has published on issues concerning place and the politics of identity. He is author of 'Real Cities: modernity, space and the phantasmagorias of city life' (2005) and 'The Body and The City: psychoanalysis, subjectivity and space' (1996). His many collaborative projects include the forthcoming collection, 'Psychoanalytic Geographies' (edited with Paul Kingsbury). He is currently working on early Freudian psychoanalysis and geographies of the body.
Edition of 100
DOMOBAAL editions – 2013
ISBN 987-1-905957-29-3
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Sharon Kivland 'Mes Mouches'
Sharon Kivland – Mes Mouches
A beauty spot is usually a lesion caused by a 'melanocycotic nevus', but at certain times it was considered to be such an attractive feature that it was appiled as makeup or as a 'mouche' in ve;vet or silk
Edition of 100, published at the kind invitation of AM Bruno to their project Black Circle on the occasion of the London Art Book Fair 2012
14 pages, stapled, 22.5×15.5cm, with 21 b&w photographic illustrations
DOMOBAAL editions – 2011
ISBN 987-1-905979-27-9
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Sharon Kivland – Les Devises Manquantes/The Missing Slogans
Sharon Kivland – Les Devises Manquantes/The Missing Slogans
The book includes the slogans of the French Revolutions, from 1789 to 1848 (in the expression of popular sentiments), and some patriotic Mariannes. Produced in response to 'What is to be done?', bookart bookshop, and one of the ten winners of the bookart prize.
18.5×12cm, edition of 10, 2012
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Sharon Kivland – Encore un Effort
Sharon Kivland – Encore un Effort
Cropped images from a set of photographs of violent scenes in the student paper 'Tribune' from May '68 – attention is drawn to a blouson jacket or a buckled shoe, rather than the fall of the baton. The centre pages are a spread of text drawn from fashion magazines of the same period in French history, but including two slogans, one from 1968 and the other from 1795 (after de Sade). Produced as part of the exhibition 'Lessons in history vol. ii – Democracy', Grahame Galleries and Editions, Brisbane, Australia.
22.5×15.5cm, edition of 100, 2012
Democratically printed in a reprographic unit.
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Sharon Kivland 'Ma Pétroleuse'
Sharon Kivland – Ma Pétroleuse
For Un vent de révolution, a solo exhibition at centre d'art passerelle, Brest, Sharon Kivland produced a high–street line of her work Noms propres (ma pétroleuse), making this attractive yet provocative necklace available to the woman in the street or at the barricade at an affordable price. The term, the source of which lies in the Paris Commune of 1871, means a woman who speaks her political views too stridently, but can also imply a cockteaser (what a naughty tease). In an edition of ten, each necklace, in fine quality sterling silver, comes in a presentation gift box, stamped in red with title and date, and lined with red silk. The edition is produced by centre d'art passerelle in collaboration with Domo Baal, London, and following the exhibition is available at the modest price of £75. It is, we think you will agree, the perfect gift for that special revolutionary woman.

 

Reproductions I: Sharon Kivland
Sharon Kivland – Reproductions I
Following the surprising success (the artist was surprised anyway), of her book 'La mer est si bleue' Domo Baal and Sharon Kivland launched a book project that was offered on subscription throughout 2012. It may be described as a speciality package and is certainly most attractive. The full set may now be purchased by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the set may also be purchased by contacting the gallery directly *here and an invoice for payment by cheque or bank transfer can then be issued.

Reproductions I consists of a series of twelve books (plus an extra bonus thirteenth book) each in an edition of 100, in a stapled 26×20cm format, with between twelve and twenty–four pages each which draws on Kivland's extensive and particular collection of printed ephemera and postcards, classed thematically according to the whim of the artist (see below). The full set can now be purchased for the modest price of £300. The set now includes an extra bonus book Certains messages de loin and is presented in a handsome specially designed bookcloth slipcase made by hand at Bookworks Studio.

Titles are as follows: Frères et Sœurs, Communiants et Communiantes, Pierrots et Pierrettes, Nus exotiques, Les Chiens des Pyrenées, Les Chalets Suisses, Les Amants Modernes, La Neige sur les montagnes, Les Reflets, Femmes et roses, Les Cascades, Les Fontaines, Messages de lointain.

(Although the titles are in French, as the books are (largely) made of images only, language should be no barrier to comprehension)

DOMOBAAL editions – 2012

ISBN 978-1-905957-15-6 (Frères et Sœurs)
ISBN 978-1-905957-16-3 (Communiants et Communiantes)
ISBN 978-1-905957-17-0 (Pierrots et Pierrettes)
ISBN 978-1-905957-18-7 (Nus exotiques)
ISBN 978-1-905957-19-4 (Les Chiens des Pyrenées)
ISBN 978-1-905957-20-0 (Les Chalets Suisses)
ISBN 978-1-905957-21-7 (Les Amants Modernes)
ISBN 978-1-905957-22-4 (La Neige sur les montagnes)
ISBN 978-1-905957-23-1 (Les Reflets)
ISBN 978-1-905957-24-8 (Femmes et roses)
ISBN 978-1-905957-25-5 (Les Cascades)
ISBN 978-1-905957-26-2 (Les Fontaines)
ISBN 978-1-905957-28-6 (Messages de lointain)
Sharon Kivland 'Freud on Holiday, Appendices I–IV'
Sharon Kivland – Freud on Holiday, Appendices I–IV
Freud's Weather, Freud's Dining, Freud's Hotels, Freud's shopping: "No need here for the overcoat worn by Freud's patients, 'woven of a tissue of lies, as though the weather were bad in the world of sexuality'. Sharon Kivland brings us close to Freud at ease – relaxed, ordinairy, and invigorated by travel – these little books are talismans for those who value pleasure and freedom." Sarah Wood, Oxford Literary Review.
information as material – 2013
ISBN 978-1-907468-16-2
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Sharon Kivland – Bumper Freudian Package
Sharon Kivland – Bumper Freudian Package
Domo Baal in association with information as material and Cube Art Editions, presents a special offer of a Bumper Freudian Package of Sharon Kivland's twelve publications on and around readings of the life and work of Sigmund Freud.

This is an opportunity to acquire these books at a keen price and to have an overview of Kivland's psychoanalytically–inflected reading, which she has described as 'ventriloquism'. The usual total retail price is £121.50 but here is offered for £85 including post and packing to UK addresses (post and packing to European addresses will cost an extra £15). As some of the books are nearly out of print, this offer is limited to 40 subscribers, with preference given to those who subscribe to both of these elegant packages. Full details of this offer are detailed in the pdf on the link below. An order may be placed by selecting the 'add to cart' button below via PayPal. Should this method not be convenient, the package may also be purchased by contacting the gallery directly here and an invoice for payment by cheque or bank transfer can then be issued.
download the pdf showing full details of all twelve publications in Sharon Kivland's Bumper Freudian Package
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Sharon Kivland 'La mer est si bleue'
Sharon Kivland – La mer est si bleue
'Hello from Stella beach where I am spending a nice holiday, despite the bad weather. Best wishes, Marie–Claire'
Edition of 100, published at the kind invitation of AM Bruno on the occasion of the London Art Book Fair 2011
28 pages, stapled, 26×20cm, 12 b&w photographic illustrations
DOMOBAAL editions – 2011
ISBN 987-1-905957-11-8
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Sharon Kivland 'Le rouge baiser'
Sharon Kivland – Le rouge baiser
A numbered edition of 100, each with an attractive photograph, on which the artist has more or less carefully painted the lipsticked mouth of the image with watercolours, while considering that while 'le rouge baiser permet le baiser' (the red kiss allows kissing), it also permits caressing, screwing around, adultery and fucking.
Chapbook with 20 folded pages, stapled, 15×10.5cm, 16 b&w photographs
DOMOBAAL editions – 2011
ISBN 9789059957149
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'Freud on Holiday, Volume III, The Forgetting of a Proper Name' by Sharon Kivland
Sharon Kivland – Freud on Holiday, Volume III
The Forgetting of a Proper Name
The third volume in the series Freud on Holiday describes a number of holiday possibilities, the problem of deciding where to go and when, the matters of cost and convenience, of appropriate companions and correct context. There are descriptions of train itineraries, of hotel rooms and restaurant menus, but the name of one restaurant resists recall for most of the book. There is a surprising connection with hysteria and another name is forgotten en route, accompanied by an embarrassing error in chronology. At last, forgotten names are remembered, although an image that has been talked away is not seen again.
Designed by Christos Lialios, Greek translation by Margarita Kremmyda, 56 pages, perfect bound, softback binding with dust–jacket, one colour cover, 2 b&w photographs and 16 colour illustrations, 23×14.5cm, edition 400
Co–published by Cube Art Editions, Athens and information as material, York, 2011
ISBN 978-960-99662-3-8 (Greece)
ISBN 978-1-907468-06-3 (UK)
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'Freud on Holiday, Appendix II, Freud's Dining' by Sharon Kivland
Sharon Kivland – Freud on Holiday, Appendix II
Freud's Dining
Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. He made a distinction between the holidays he spent with his family during the month of August and those voyages he took later, most often in September, with complicated itineraries. Freud prepared carefully for his trips, consulting tourist guides and other travel literature concerning the places he intended to visit attentively, especially those of the sites of classical antiquity, and of course, the famous Baedeker. The fifty–six letters and hundred and eighty–nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of what he ate and drank (and the state of his digestion) have been collected.
Designed by James Brook, 16 pages, stapled, 23×14.5cm, edition of 300
Published by information as material, York, 2011
ISBN 978-1-907468-10-0

 

'Freud on Holiday, Appendix I, Freud's Weather' by Sharon Kivland
Sharon Kivland – Freud on Holiday, Appendix I
Freud's Weather
Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. He made a distinction between the holidays he spent with his family during the month of August and those voyages he took later, most often in September, with complicated itineraries. Freud prepared carefully for his trips, consulting tourist guides and other travel literature concerning the places he intended to visit attentively, especially those of the sites of classical antiquity, and of course, the famous Baedeker. The fifty–six letters and hundred and eighty–nine postcards of his travel correspondence with his family between 1895 and 1923 reveal his enjoyment of these holidays, his pleasure in his liberty, in getting a bargain, in the blue skies and the southern warmth, in the beauty of the landscape, in wine and food. From this correspondence descriptions of the weather have been collected.
Designed by James Brook, 16 pages, stapled, 23×14.5cm, edition of 300
Published by information as material, York, 2011
ISBN 978-1-907468-09-4

 

'Reisen II' by Sharon Kivland
Sharon Kivland – Reisen II
Reisen II is the second in a series of occasional pamphlets, which refer to the trains, train journeys, railway–lines, stations, station platforms, railway timetables, ticket collectors, and train compartments in the life and work of Sigmund Freud. This modest booklet contains details of some of the train journeys of Freud's holidays, gleaned from his correspondence home, with reference to contemporary editions of Cook's Continental Time Tables, Tourist's Handbook and Steamship Tables, supplemented by consultation of the European rail timetables of the present day.
16 pages, softback, stapled binding, 2 b&w photographs, 16×11.5cm, edition 150
information as material, York – 2010
ISBN 97819074680701
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Sharon Kivland – Le cri de la soie (Volume II)
Sharon Kivland – Le cri de la soie (Volume II)
The speech of kleptomaniac women interviewed by Dr Gaëtan de Clérambault in 1902 is entangled with a medical analysis; the resulting text is an insistent and extended cry of fetishism for silk – an erotic passion, tactile and jouissant. V.B. says that the contact with silk is superior to its sight and that while she would like to sleep in silk, it's not her style; that's for women who are seen in bed.
Edition of 100, 15cm×11cm, 24 pages, published to accompany Sharon Kivland's 'Le cri de la soie (Volume I)'
DOMOBAAL editions – 2011
ISBN 978 1 905957 09 5
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Sharon Kivland – Le cri de la soie (Volume I)
Sharon Kivland – Le cri de la soie (Volume I)
'To the cropped and enlarged photograph, extracted from an underwear trade journal of the 1950s, a strip of colour, that of the packaging of the scent 'Allure' by Chanel is added, cropping or extending the image further. Each woman is ecstatic; the touch of silk against her skin is enough to make her faint, to send into an enclosed jouissance, like those kleptomaniac patients of Gaëtan de Clérambault, for whom the squeaky sound of silk as it was rubbed provided the most intense sensation.'
Edition of 100, 15cm×11cm, 24 pages, 15 duo–tone photographs, published to accompany Sharon Kivland's exhibition 'I am sick of my thoughts'.
DOMOBAAL editions – 2011
ISBN 978 1 905957 08 8
Shop: £5 (click on thumbnail)

 

'Reisen I' by Sharon Kivland
Sharon Kivland – Reisen I
The first in a series of occasional pamphlets, which refer to the trains, train journeys, railway–lines, stations, station platforms, railway timetables, and train compartments in the life and work of Sigmund Freud. In 1900 'The Interpretation of Dreams' was published, from which Kivland has drawn short extracts, edited, to a certain extent, in an attempt to retain only references to trains. She imagined that many more trains or railways had occurred in the dreams recounted therein and was disappointed that there were not more description of the trains and routes, both main and branch lines, of the Staats–Eisenbahn–Gesellschaft. Still, un train peut en cacher un autre.
16 pages, softback binding, 2 b&w photographs, 16×11.5cm, edition 150
information as material, York – 2010
ISBN 9781907468018
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'Freud and the Gift of Flowers' by Sharon Kivland and Forbes Morlock
Sharon Kivland – Freud and the Gift of Flowers
Sharon Kivland with Forbes Morlock
A revised version of a seminar given by Forbes Morlock at the Institute of Germanic and Romance Studies, University of London in June 2007. There are gardenias, there are letters and postcards, there are presents, and there are lavish illustrations of the flowers Freud did not receive.
32 pages, softback binding, gatefold cover, 12 b&w photographs, 17×10cm, edition 500
information as material, York – 2010
ISBN 9781907468001
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Sharon Kivland – Le Lever
Letterpress on Ruscombe Mill handmade paper, leather portfolio with letterpress foil blocking, Edition of four, three in portfolios, one set framed, plus two artist's proofs
2008
POA
Sharon Kivland 'Afterwards'
Sharon Kivland – Afterwards
Published on the occasion of the exhibition 'Afterwards' curated by Sharon Kivland, and organised by the Mead Gallery
48 pages, softback binding, gatefold cover, 25 b&w photographs, 17×10cm
Mead Gallery, Warwick Arts Centre, UK – 2009
ISBN 9780902683914
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'Sharon Kivland: 'nous deux'.
Sharon Kivland – nous deux
Antique lorgnette with engraved glass, toile de Jouy cotton/linen, glacé kidskin box with letterpress foil blocking. The useful lenses that may expose the flaw in the beloved nestle on an Arcadian scene, ready to spring into action for close inspection, thanks to their nifty snap mechanism.
(This should not be shown to those recently abandoned by their lovers).
A unique object in a continuing series – 2008
POA
'An Agent of the Estate' by Sharon Kivland.
Sharon Kivland – An Agent of the Estate
In 'An Agent of the Estate' Kivland invites the reader to follow her tour of properties, with detours through stations and board games. Kivland has haunted the Freud Museums in London and Vienna, as though lingering improperly and listening at doors – an alien guest. In this book she gives her readers a glimpse of how one might find more than a petrified spectre of psychoanalysis on the sites of its history. Adept in ventriloquism and other uncanny tricks, she offers a buyer's guide to some of the dwelling–places of psychoanalysis, while reminding the reader that the ego is not master in its own house. (caveat emptor).
32 pages, softback, sewn, gatefold cover, 14 black and white photographs, 21.70×10cm, edition 500
information as material, York – 2008
ISBN 9780955309281
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'A Wind of Revolution Blows, The Storm Is on The Horizon' Fashion: A Glossary of Terms, by Esther Leslie, illustrated by Sharon Kivland.
Sharon Kivland – A Wind of Revolution Blows, The Storm Is on The Horizon
Fashion: A Glossary of Terms, by Esther Leslie, illustrated by Sharon Kivland.
Published to coincide with Sharon Kivland's solo exhibition 'A Wind Of Revolution Blows, The Storm Is On The Horizon' at Chelsea Space.
Chelsea Space – 2008
ISBN 9781906203245
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'Freud on Holiday, Volume II, A Disturbance of Memory' by Sharon Kivland'
Sharon Kivland – Freud on Holiday, Volume II
A Disturbance of Memory
A Disturbance of Memory is the second volume in Sharon Kivland's trilogy, Freud On Holiday; a series of experimental travel writings in which she re–imagines journeys made (and sometimes dreamt) by Sigmund Freud to European sites of archaeological importance.
Once a year Freud would go on holiday with his brother, Alexander. Using Freud's published works and archives, Kivland has diligently established the routes and itineraries of three such holidays, and pieced together all the other historical traces of Freud's thoughts and reactions during and surrounding each of those holidays and the experiences they involved. Each book in her series documents Kivland's experiences as she re–takes one of the same holidays, in the twenty–first century, with her sister. Through writings, photographs, drawings, postcards and other fragments Kivland assembles books that work between traditional genres to produce a new kind of para–scholarly performance. Volume II documents the sisters' adventures as they follow Freud and his brother to Trieste and Athens, and are frequently diverted by the traces of others, including James Joyce, Jacques Derrida, Italo Svevo, and Ulysses.
In Trieste in 1904 the brothers determined to go to Corfu but were told by their host that it would be too hot and that they should go to Athens instead. Any change of plan seemed impractical to Freud, but they succeeded in booking tickets and took the trip to Athens. When Freud arrived in Athens and stood on the Acropolis he found himself surprised to be thinking: 'So all this really does exist, just as we learnt at school!' His surprise was twofold: firstly , that something unbelievable exists, and secondly, that its existence should have been in doubt. Such is the cue that A Disturbance of Memory takes up.
Kivland's project is contextualised by an Introductory essay by American literary theorist, Craig Saper, and the English language first half of the book is followed by a full Greek translation by Maria Skamaga.
186 pages, perfect bound, softback, sewn, with screen printed dust jacket, 23×15cm, 35 b&w photographs and 15 b&w illustrations, edition 1000
co–published by information as material and Cube Art Editions, Athens – 2008
ISBN 9780955309236
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Sharon Kivland: 'L'esprit d'escalier'
Sharon Kivland – L'esprit d'escalier
A revised version of a paper given in 'Outside/In: architecture, psychoanalysis, and spaces in–between' at the Freud Museum, London in June 2006, during Architecture Week (Arts Council of England), the text ostensibly pursues the references to domestic architecture in the dreams of Sigmund Freud as a narrative, while the subtext expresses anxiety, loss, and the revisiting of a subjective past – oh, and the forgetting of a lovely pair of shoes, as the author and Freud miss a collision on the stairs of 19 Bergasse, Vienna. The text is punctuated by a series of black and white photographs, taken on the stairs of the same apartment block, as the author searched for her title, her shoes, and her subject.
32 pages, softback binding, gatefold cover, 14 b&w photographs, 17×10cm, edition 500
information as material – 2007
ISBN 9780955309243
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Shadows '(Transmission: The Rules of Engagement 11)'
Shadows (Transmission: The Rules of Engagement 11)
What did the chained men in Plato's allegory of the cave see when they looked at the shadows on the wall? Did they see pictures of the world or rather, reflections of their own imagination? What is the difference? Shadows examines the relation between image and mind from the point of view of the scientific image–archive and from the image–repertoire of a number of artists. Each of these perspectives shows a bond between perception and production, while simultaneously revealing an element that appears to be inexplicable, an enigmatic gap that may provide a key to the way we view the world and its images, the cave and its shadows. includes essays by Haris Epaminonda, Ansel Krut, Antonia Low and others, edited by Sharon Kivland and Jaspar Joseph–Lester
Designed by Sarah Backhouse, softcover, 54 pages b&w reproductions, 13.5×21cm
Artwords Press – 2007
ISBN 9781906441029
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Freud on Holiday, Volume I, Dreams of Rome by Sharon Kivland
Sharon Kivland – Freud on Holiday, Volume I
Freud Dreams of Rome
Freud Dreams of Rome is the first volume in Sharon Kivland's trilogy, Freud on Holiday; a series of experimental travel writings in which she re–imagines journeys made (and sometimes dreamt) by Sigmund Freud to European sites of archaeological importance.
Once a year Freud would go on holiday with his brother, Alexander. Using Freud's published works and archives, Kivland has diligently established the routes and itineraries of three such holidays, and pieced together all the other historical traces of Freud's thoughts and reactions during and surrounding each of those holidays and the experiences they involved. Each book in her series documents Kivland's experiences as she re–takes one of the same holidays, in the twenty–first century, with her sister. Through writings, photographs, drawings, postcards and other fragments Kivland assembles books that work between traditional genres to produce a new kind of para–scholarly performance. Volume I contains an essay and a set of photographs – image plates that are introduced as 'Freud's holiday photographs' and tipped–in the book after printing. Through these two dynamics, the book documents the sisters' adventures as they follow Freud and his brother to Rome, a place Freud had dreamt about four times before visiting.
The text appears to be a conference paper, with sudden asides and peculiar distractions. The images are rather strange. They show no people. They are oddly cropped. They reveal only impasses, dark courtyards, angles of buildings. Their source is uncertain. Freud Dreams of Rome creates a space for its readers to take a drive through Freud's imagination as his experience of Rome shifts from the imaginary to the real: a shift from the longing he felt for the city whilst working on his seminal project, The Interpretation of Dreams, to his really being 'there'.
32 pages, perfect bound, softback binding with 11 b&w photographs tipped–in by hand, 23×14.5cm, edition 500
information as material – 2006
ISBN 0954459067
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Sharon Kivland 'La Forme–Valeur/The Value–Form'
Sharon Kivland – La Forme–Valeur/The Value–Form
La Forme–Valeur/The Value–Form is a sixteen–page book, following the exhibition of the same title at Galerie de Cloître, Rennes in 2005. The commodity, from chapter 3 of Capital by Karl Marx, in both French and English translations, finds a voice as a woman, on a Chanel–pink ground. The edge of the cover is gilded, recalling the packaging of 'Allure'.
DOMOBAAL editions – 2006
ISBN 0954459032
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Sharon Kivland: Nom Propre (Pétroleuse)
Sharon Kivland – Nom Propre (Pétroleuse)
Nom Propre (Pétroleuse) is a hand–made silver necklace, a unique object from a series of 3 necklaces each presented in the same way in a silk covered foil–blocked box, lined in plush red silk velvet. The word Pétroleuse is a pejorative term signifying both an 'allumeuse' in meaning, in French a woman who seeks to inflame the desire of men (without offering satisfaction) as well as a woman who affirms her political opinions in the most violent manner possible. What a naughty tease!. The series is completed by 2 further necklaces presented in foil–blocked boxes: 'Allumeuse' and 'Aguicheuse'.
2006
POA

 

Sharon Kivland 'Cela aura déjà eu lieu'
Sharon Kivland – Cela aura déjà eu lieu
'Cela aura déjà eu lieu' is a twenty–page full colour book, published after the exhibition of the same name at the Centre d’art de Morsang, France. As the texts indicate, the project was founded on the Freudian concept of Nachträglichkeit or deferred action. The first part of the work was an invitation, the second an event and viewing, the third, a postcard, and the last, the publication, where all the texts in circulation and the postcard are reproduced.
Centre d’art de Morsang, France, 16 pages with 10 colour photographs.
2005
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Sharon Kivland: 'Mes Fils'
Sharon Kivland – Mes Fils
an artists book by Sharon Kivland published on the occasion of her solo exhibition 'Mes Fils' at domobaal in 2005
Designed by Sarah Backhouse
DOMOBAAL editions – 2005
ISBN 0-9544590-5-9
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Sharon Kivland: 'flair'
Sharon Kivland – flair
Published on the occasion of the project of the same title at The Bartlett School of Architecture, University College, London. Twelve phrases run in a continuous line through the book. The phrases are in a pale rose/flesh pink – actually the colour of Chanel's packaging for their scent 'Allure' – and are descriptions of scents taken from the in–flight magazines distributed on airlines. Each has been altered every slightly so rather than describing a scent, they appear to be a woman describing herself – a vain, crazy woman, 'folle de son corps'. The title has two meaning: in English, it means the possession of a certain style or aplomb, while in French, it more usually means the faculty of discerning an odour or an aptitude for intuition or perspicacity.
DOMOBAAL editions – 2004
ISBN 0954459032
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Sharon Kivland 'Mes Tropes'
Sharon Kivland – Mes Tropes
There are different senses in which one can take the same word in the same language. 'Mes Tropes' draws on an eighteenth century guide for authors, and is a work that may serve as a useful introduction to rhetoric and logic. In a convenient, modest yet attractive boxed set, these elusive figures of speech are readily available; under the hand, as it were. From allusion to metonym to litote, all are easily found, prompting a richer, more elegant conversation (in French to be sure, to enhance linguistic performance). Sixteen tropes, letter press printed in Estonia, allows readers to speak in public discourse, bestowing vivacity, force and grace to the expression of their thoughts.
Handmade box & 16 letter press printed cards, edition 100
2003
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'William Marwick: The Property of a Gentleman 1768 – 1770' by Sharon Kivland
Sharon Kivland – William Marwick: The Property of a Gentleman 1768 – 1770
'The Property of a Gentleman' was part of the touring exhibition Nature and Nation: Vaster than Empires, curated by Eggebert–and–Gould, which brought together artists from Australia, France, India, Indonesia, the Netherlands, New Zealand, and Britain, and examined contested territories geographical and symbolic, place and landscape, garden and wilderness, culture and horticulture. 'The Property of a Gentleman' is an edited version of the Naturalist's Journal of William Markwick, covering the period from 1768 to 1776, bequeathed to Hastings Museum and Art Gallery in 1922. The Editor, Sharon Kivland, has transcribed three years of the diaries, painstakingly writing them out by hand at the Curator's desk, for the pages are too fragile to be copied otherwise. Then returning home to the French countryside, she has produced a version working from her manuscript. She has glanced from time to time at her garden and has observed the Narcissus in bloom, the Chinese Honeysuckle first in bud, the Broad Bean first emerging from the ground, and heard the Woodpecker make a loud noise. She, too, is a woman of property.
Hastings Museum and Art Gallery – 2003
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Lucy Harrison, Sharon Kivland & Nina Papconstantinou, 'A Reader'
A Reader
Lucy Harrison, Sharon Kivland & Nina Papaconstantinou, published on the occasion of the exhibition 'A Reader' at domobaal gallery in 2003.
A5, soft binding, 18 pages with 6 b&w images.
DOMOBAAL editions – 2003
ISBN 09544590
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Sharon Kivland 'Fragments d'une Correspondance Litteraire'
Sharon Kivland – Fragments d'une Correspondance Litteraire
'Fragments d'une Correspondance Litteraire' is an exquisite edition that is available in two versions that display a sensuous use of materials: as a bound volume of texts covered in straight grain leather and as a loose print folio covered in purple book cloth.' Fragments d'une Correspondance Litteraire' utilises fragments from the letters of Denis Diderot, French philosopher and chief editor of the 'l'Encyclopedie', one of the principal literary monuments of the Age of Enlightenment, to his lover Sophie Volland. In this work, that continues her preoccupation with the correspondence of Diderot and Volland, Sharon Kivland has created a work that exists both as a social document and as a record of an extraordinary love affair.
Bookworks – 2001
Fragments d'une Correspondence Litteraire is printed letterpress, designed and produced at Bookworks Studio.
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Sharon Kivland 'A Case of Hysteria'
Sharon Kivland – A Case of Hysteria
'A Case of Hysteria' draws on Freud's analysis of Dora, a young woman who is brought to him by her father. Dora is suffering from repeated loss of voice and a nervous cough. Sharon Kivland has created a mystery novel about Dora, which investigates the events discussed in her analysis as clues to the unlocking of a story of love and betrayal. The book is a critical study which rewrites one of the key texts in psychoanalysis. A Case of Hysteria reveals an illuminating picture of Dora. The writer–turned detective traces the events recounted in the analysis, following the story to Vienna, Meran and Frazenbad.
Edited by Forbes Morlock. Printed offset in an edition of 1,500 copies, 321 pages, with duotone images throughout, soft–back with printed dust jacket, 23×17.4cm.
Bookworks – 1999
ISBN 1870699
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STEPHEN DUNNE

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Stephen Dunne – The Phantom Limb
The Phantom Limb
A4 hand screen printed as a limited edition of 45 copies signed and numbered by the artist, 28 pages, stapled. The first 10 copies include one orignal and unique painting on a single page.
RISE editions, Berlin – 2011
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STUART BRISLEY

 

Stuart Brisley – domobaal editions 2013
Stuart Brisley
A series of monographic publications by domobaal and Mummery + Schnelle. Each are: soft cover, offset printed, 26.6×20.6cm, fully illustrated and focus on a single body of work as follows: Jerusalem (2011–12), The Missing Text (2012–13), Homage to the Commune (1976), 12 Days (1975), Hille Fellowship Poly Wheel (1970), Photography (1988–91), Before the Mast (2013). Titles are availble as single books and as a set, the series is published in an edition of 300 sets, and is also available presented in a clothbound slipcase made by the Book Works Studio. For more information please contact the gallery directly.

DOMOBAAL editions – 2013

ISBN 978-1-905957-45-3 Stuart Brisley – Photography (1988–91) 16 pp
ISBN 978-1-905957-48-4 Stuart Brisley – Homage to the Commune (1976) 16 pp
ISBN 978-1-905957-45-3 Stuart Brisley – Jerusalem (2011–12) 16 pp
ISBN 978-1-905957-46-0 Stuart Brisley – The Missing Text (2012–13) 12 pp
ISBN 978-1-905957-47-7 Stuart Brisley – 12 Days (1975) 14 pp
ISBN 978-1-905957-49-1 Stuart Brisley – Hille Fellowship Poly Wheel (1970) 20 pp
ISBN 978-1-905957-50-7 Stuart Brisley – Before the Mast (2013) 12 pp
ISBN 978-1-905957-52-1 Stuart Brisley – Complete set in a slipcase (2013)
Shop: £8 per title (click on thumbnail)
Shop: £45 for the full set of 7 titles (click on thumbnail)

 

Monographic publications on Stuart Brisley illustrated below represent a selection and are currently not avalable for sale but may be viewed at the gallery.

Stuart Brisley, ICA catalogue, 1981
Stuart Brisley
Texts by Paul Overy, John Roberts, Stuart Hood, Nick Collins, 29.8×20.8cm
Institute of Contemporary Arts, London 1981
Stuart Brisley, The Georgiana Collection, 1986
The Georgiana Collection
'neither one thing nor the other' essay by Michael Archer 26.6×20.9cm
Third Eye Centre, Glasgow and Orchard Gallery, Derry, 1986
Stuart Brisley, 10 Days, 10 Tage, 1974
10 Days, 10 Tage
'An English Lie, Hunger Makes Free' text by Stuart Brisley, in English with German translation 29.5×21cm
Edition Paramedia in association with DAAD, Berlin 1974
Stuart Brisley, Black, 1996
Black
Introduction by David Thorp, essay by Richard Gott 26.5×21.4cm
South London Gallery, 1996
Stuart Brisley, The Cenotaph Project
The Cenotaph Project
Essay 'The Cenotaph, Whitehall' by Penelope Curtis, 19.7×12.9cm
Orchard Gallery, Derry 1991
Stuart Brisley, Beyond Reason: Ordure
Beyond Reason: Ordure
A novel by Stuart Brisley 19.7×12.9cm, 60 pages (available directly from Books Works)
Book Works, London 2003

 

WALTER SWENNEN

All items with an 'add to cart' button may be purchased directly through PayPal and are carried in stock. We aim to post all orders within 3 working days of payment confirmation. During holidays this time may be extended, all placed orders will advised or confirmed accordingly. Items with neither 'add to cart' button nor quoted price and all sold out items are kept in stock for viewing and may be consulted at the gallery.

 

Walter Swennen 'I am afraid I told a lie (on pages 12–13)'
I am afraid I told a lie
Folded map, offset printing, 100×152cm (open) 25×10.8cm (folded) edition 100 copies signed and numbered by the artist, 30AP
Gevaert editions, Brussels – 2011
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Broadsheet newsprint poster for Walter Swennen's exhibition, printed by Newsfax International
Walter Swennen
Broadsheet newsprint poster for Walter Swennen's exhibition, printed at Newsfax International
DOMOBAAL editions – 2010
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Jemima Burrill, Ansel Krut, Walter Swennen 'Maybe a Duck … Maybe a Rabbit …'
Maybe a Duck … Maybe a Rabbit …
Published on the occasion of the exhibition Maybe a Duck … Maybe a Rabbit … a drawing exhibition at The Drawing Centre, Wimbledon College of Art from 9–14 September 2006. Jemima Burrill, Ansel Krut, Walter Swennen with an essay 'In Wittgenstein's Game' by Peter Suchin designed by Sarah Backhouse; 6 colour illustrations, 16 pages, softcover; printed by the Aldgate Press, London
The Centre for Drawing, Wimbledon School of Art – 2006
ISBN 0 948327 23 5
Shop: £8 (click on thumbnail)

 

Walter Swennen: How To Paint A Horse'
Walter Swennen – How To Paint A Horse
A catalogue for Walter Swennen's solo exhibition at De Garage, Mechelen, Belgium. Devoted entirely to the paintings of Belgian painter Walter Swennen. The publication is conceived as a sort of reference book featuring all Swennen's paintings up to date in a thumbnail format.
soft cover, 96 pages, 28.6×22.3cm
bkSM – 2008
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