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Kim Merrington invites you to luxuriate in Pleasure
Trove, her new installation in which the secret world of Sandy Fullerlove
is brought to vivid and sensuous life. Sandy's diary, a chance find
in a house clearance sale, paints a poignant picture of unfulfilled
desire: of the private longing and yearning experienced by a young
girl growing up in dreary suburban 1960's Britain.
September 19th, 1965: "I want to live in a place like the ones
in my picture book, where it is always wonderful and everyone is
endlessly happy."
Spectacular photographic lightboxes are fused with drawing to make
manifest key extracts from Sandy's story. The images, which are
created as elaborately staged tableaux, are reminiscent of the vanitas
still-life tradition, where everyday objects take on an entirely
new significance through their selection and juxtaposition. Exploring
the relationship between the mundane and the fantastical, frustration
and aspiration, the lightboxes literally illuminate the young girl's
voice. These illusions however are temporary facades: when the lights
are switched off, the images themselves disappear.
Pleasure Trove transports the viewer, as if by time machine, to
another place, to reveal the lost, intimate world of Sandy Fullerlove.
Kim Merrington is fascinated with biographies and how identities
are constructed through the narratives by which we describe our
lives. Through the conflation of fiction and fact, her installations
explore notions of serendipity, memory and time.
Kim Merrington was awarded the Evelyn Williams Fellowship in Drawing
1996-7 and the Linbury Fellowship in Drawing 1998-2000. She has
exhibited widely. Solo exhibitions in 2003 include 'High Flyer',
showing at Ferens Art Gallery, Hull 28th June until 31st August
and concurrently at 24Hr Art, the North ern Territory Gallery for
Contemporary Art in Australia. 'Double Fall Back Twister' will be
at the Mclean County Art Center Illinois USA later this year and
will then tour the UK. Images, further information and meringues
available from DOMOBAAL.
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